Updated Kiswahili Free Notes Form 1 to 4 – Latest

Kiswahili Free Notes Form 1 to 4 – Latest

2. USHAIRI-1.doc
2018 kiswahili booklet.docx
CHOZI LA HERI -CHOZI LA HERI.pdf
Damu nyeusi, editted.doc
DIRA YA USHAIRI-3.docx
DIRA YA USHAIRI-3.docx
f simulizi.doc
F1 KISW.docx
familia za chozi-1.pdf
FASIHI SIMULIZIp.doc
FASIHI-SIMULIZIp1.pdf
FORM ONE KISWAHILI NOTES-1-1.pdf
FORM ONE KISWAHILI NOTES-1-1.pdf
FORM ONE KISWAHILI NOTES-1.pdf
FORM ONE KISWAHILI NOTES-1.pdf
FORM ONE KISWAHILI NOTES.pdf
INSHA ZA KIUAMILIFU.docx
INSHA ZA KIUAMILIFU.pdf
INSHA-SET-1.docx
INSHA-SET-1.docx
Isimu Jamii -1.pdf
ISIMU-JAMII-ANS.doc
ISIMU-JAMII-ANS.doc
ISIMU-JAMII-Q-1.doc
ISIMU-JAMII-Q-1.doc
KCSE KISWAHILI PP1 REVISION.pdf
KCSE-KISWAHILI-TOPICALS.pdf
KIDAGAA KIMEMWOZEA-1.docx
Kigogo notes by bonyi.doc
Kigogo-1.docx
KIS NATIONAL SCHOOLS.pdf
KIS NATIONAL SCHOOLS.pdf
KISW F1 M. SCHEME.docx
KISW F1 M. SCHEME.docx
KISW FASIHI SIMULIZI NOTES.doc
KISW KIDAGAA GUIDE.docx
KISW KIGOGO GUIDE.docx
KISW MWONGOZO WA KIGOGO.docx
KISWAHILI PP1-1.pdf
KISWAHILI PP1.pdf
kiswahili f11Qs.docx
KISWAHILI KIDATO CHA KWANZA.pdf
KISWAHILI NOTES FORM 1-4 BOOKLET.pdf
KISWAHILI PP2-1.pdf
KISWAHILI PP2-1.pdf
KISWAHILI PP2.pdf
KISWAHILI PP3-1.pdf
KISWAHILI PP3-1.pdf
KISWAHILI PP3.pdf
KISWAHILI USHAIRI Ian.pdf

Principal directs teachers to avoid using Vernacular in Teaching

A secondary school principal has instructed teachers to stop teaching in vernacular. Gamba SDA mixed Secondary School Principal, Mr. Joseph Omanya, notes that the use of the local dialect undermines Curricular delivery. “This letter is to further instruct you to stop using vernacular in school for this undermines curricular delivery, poor training of students and furtherance of tribal tendencies in a public institution”, says Mr. Omanya via a memo sent to the concerned teacher that is at our disposal.

This memo comes after the said teacher failed to heed verbal ‘warnings’ from the principal. And in a move that may elicit debate on how to handle ‘weak’ learners at school, the principal goes on to say, “it has come to my attention that you routinely use your vernacular (Ekegusii) while doing verbal communication in school, including to the hearing of your students”.

The principal warns of dire consequences if this behaviour ceases. he threatens to report the matter to the teachers’ service Commission.

The letter has been copied to the Chairman Board of Management (BOM), Gamba SDA mixed Secondary school.

Having an interesting story or article that you wish to be published on our website? Email us on: newsdesk.blaze@gmail.com

Weithaga Mixed High School’s CBE Subjects, Pathways, Contacts, Location {Full Details}

Weithaga Mixed High School is a public Mixed, (Boys’ and Girls’) Sub-County Level Day  School that is located at Kahuro Subcounty in Murang’a County of the Central Region, Kenya. The School’s Official Phone Number Contact is: 0724 801799.

Key Details about the school.

Country where found: Kenya.

Region: Central.

County: Murang’a.

Subcounty: Kahuro.

School Type/ Ownership: A Public School.

Nature os School/ CBE Level: Senior School (SS).

Category: Regular School

School’s Official Name: Weithaga Mixed High School 

Sex: Mixed, (Boys’ and Girls’)  School.

School Cluster/ Level: Sub-County School whose Classification is C4.

Accomodation Type: Day  School.

Knec Code:  10238128

School’s Official Phone Number:  0724 801799.

Total Number of Subjects Combinations Offered at the School: 13

Subject Combinations Offered at Weithaga Mixed High School

View all available subject combinations at this school

SOCIAL SCIENCES

5
HUMANITIES & BUSINESS STUDIESCode: SS2019
Christian Religious Education,Geography,History & Citizenship
3 SubjectsSOCIAL SCIENCES
LANGUAGES & LITERATURECode: SS1002
Fasihi ya Kiswahili,Indigenous Language,Literature in English
3 SubjectsSOCIAL SCIENCES
HUMANITIES & BUSINESS STUDIESCode: SS2047
Christian Religious Education,Geography,Literature in English
3 SubjectsSOCIAL SCIENCES
HUMANITIES & BUSINESS STUDIESCode: SS2008
Business Studies,Christian Religious Education,History & Citizenship
3 SubjectsSOCIAL SCIENCES
LANGUAGES & LITERATURECode: SS1081
Fasihi ya Kiswahili,History & Citizenship,Literature in English
3 SubjectsSOCIAL SCIENCES

STEM

6
APPLIED SCIENCESCode: ST2077
Advanced Mathematics,Business Studies,Computer Studies
3 SubjectsSTEM
APPLIED SCIENCESCode: ST2093
Agriculture,Home Science,Physics
3 SubjectsSTEM
PURE SCIENCESCode: ST1004
Advanced Mathematics,Biology,Chemistry
3 SubjectsSTEM
APPLIED SCIENCESCode: ST2081
Agriculture,Biology,Home Science
3 SubjectsSTEM
PURE SCIENCESCode: ST1014
Advanced Mathematics,Chemistry,Computer Studies
3 SubjectsSTEM
PURE SCIENCESCode: ST1020
Advanced Mathematics,Chemistry,Physics
3 SubjectsSTEM

ARTS & SPORTS SCIENCE

2
SPORTSCode: AS2002
Biology,Business Studies,Sports & Recreation
3 SubjectsARTS & SPORTS SCIENCE
SPORTSCode: AS2007
Biology,Fasihi ya Kiswahili,Sports & Recreation
3 SubjectsARTS & SPORTS SCIENCE

📍 How to get more Information about the School

For more information about admission requirements, facilities, and application procedures, contact the school directly. Use the official phone number indicated above to get information about the school’s fees, uniform, meals and performance.

How to Select Grade 10 Subjects and schools

To select Grade 10 schools and subjects under the Competency-Based Curriculum (CBC) in Kenya, Grade 9 learners should first choose a career pathway (STEM, Social Sciences, or Arts & Sports Science). Then, they’ll select three subject combinations within that pathway and finally, choose four schools for each combination, totaling 12 schools. To select preferred Grade 10 Schools and Subject Combinations, use the Ministry of Education portal selection.education.go.ke.

1. How you can Choose a Career Pathway:

  • Identify your interests and potential career aspirations.
  • Select one of the three pathways: STEM, Social Sciences, or Arts & Sports Science.
  • Confirm your choice to proceed with the pathway.

2. Select Subject Combinations:

  • The portal will provide you with a list of subject combinations available within your chosen pathway.
  • Choose three subject combinations that align with your interests and strengths.

3. Select Preferred Senior Schools:

  • For each subject combination, select four schools from the available clusters.
  • This ensures a diverse range of options and equal representation from different categories of schools.
  • A total of 12 schools will be selected: 4 for the first subject combination, 4 for the second, and 4 for the third.

LIST OF ALL SENIOR SCHOOLS PER COUNTY.

Senior School Subjects and Pathways selection Form.
Senior School Subjects and Pathways selection Form.

Senior School Selection Form educationnewshub.co.ke

Government extends Huduma Centres working hours

Huduma Centers will operate from 7:00am to 7:00pm from the previous 8am to 5pm hours commencing December 5th 2022.

This is one of the six interventions promised by the Public Service, Gender and Affirmative Action CS Aisha Jumwa recently, so as to advance Public Service Delivery and Transformation through the Huduma Kenya Service Delivery Program (Huduma Kenya).

In a statement to media houses, the government notified the general public that the extension of the service hours will be deployed in 18 select Huduma Centers around the country including Nairobi-GPO, City Square, Makadara, Kibra, Eastleigh, Kiambu, Thika, Nakuru, Eldoret, Nyeri, Embu, Meru, Laikipia, Kisii, Kitale, Kericho, Kakamega, Kisumu and Mombasa.

Through a customer traffic analysis conducted by Huduma Kenya on the most sought after services by members of the public at the centers, the following specific desks will be operational during the extended hours at the aforementioned Huduma Centers: Police abstracts, Duplicate national identity cards, Birth & death certificates, Certificates of good conduct, NHIF, KRA, NSSF, HELB, NTSA and all online Government Services through the Huduma Cyber Cafe.

Additionally, in order to assist citizens via call on enquiries, booking of appointments and general Public Service information, while seeking services, the Huduma Contact Centre has also extended its operational hours to operate from 7:00am to 9:00pm.

Subsequently, the extension aims at serving at least 2,000 customers daily from 1,000 served previously as citizens are able to be supported via call beyond the 8am to 5pm working hours.

Going forward, the extension of the working hours will allow citizens to access services at their convenient time, with an expected increase in the number of citizens being served.

Huduma Kenya is therefore making positive strides towards enhancing Public Service Delivery and Transformation and will continue working towards deploying more innovative measures to reach more citizens.

CBA REGISTRATION GRADE 7 REGIONAL SCHOOL CHOICES.

CBA REGISTRATION GRADE 7 REGIONAL SCHOOL CHOICES.

REGIONAL SCHOOLS
COUNTY CODE                     CENTRE CODE  CENTRE NAME                                                                                               GENDER
01 TAITA TAVETA 01101101 DR AGGREY BOYS
01 TAITA TAVETA 01101102 SR CHIEF MWANGEKA GIRLS GIRLS
01 TAITA TAVETA 01101201 ST. MARY’S HIGH SCHOOL LUSHANGONYI BOYS
01 TAITA TAVETA 01101202 CANON KITURI MIXED
01 TAITA TAVETA 01113101 ELDORO GIRLS GIRLS
01 TAITA TAVETA 01113102 TIMBILA SEC BOYS
01 TAITA TAVETA 01113104 BISHOP NJENGA MIXED
01 TAITA TAVETA 01113105 MAHOO GIRLS SEC. GIRLS
01 TAITA TAVETA 01114102 MURRAY GIRLS HIGH SCHOOL GIRLS
01 TAITA TAVETA 01114211 KITUMA SEC SCH BOYS
01 TAITA TAVETA 01114301 MWASERE GIRLS GIRLS
01 TAITA TAVETA 01115101 VOI BOYS BOYS
01 TAITA TAVETA 01115106 OUR LADY OF PERPETUAL SUCCOUR GIRLS
01 TAITA TAVETA 01115201 MWAKITAWA GIRLS
01 TAITA TAVETA 01115301 MOI BOYS HIGH SCHOOL -KASIGAU BOYS
02 KWALE 02105104 WAA BOYS HIGH BOYS
02 KWALE 02105108 WAA GIRLS GIRLS
02 KWALE 02105501 SHIMBA HILLS MIXED
02 KWALE 02109101 KINANGO BOYS
02 KWALE 02110201 MSAMBWENI SEC BOYS
02 KWALE 02110210 KINGWEDE GIRLS GIRLS
02 KWALE 02123304 FRANZ JOSEF GIRLS
02 KWALE 02127101 TARU BOYS
02 KWALE 02127102 MAZERAS HIGH SCH BOYS
02 KWALE 02127103 MAZERAS GIRLS MEMORIAL GIRLS
04 KILIFI 04102114 ST.THOMAS GIRLS KILIFI GIRLS
04 KILIFI 04107101 MALINDI HIGH SCHOOL BOYS
04 KILIFI 04107105 NGALA MEMORIAL GIRLS’ SECONDARY SCHOOL GIRLS
04 KILIFI 04107107 KAKONENI GIRLS GIRLS
04 KILIFI 04111101 ST GEORGES HIGH SCHOOL-KALOLENI BOYS
04 KILIFI 04111102 ST JOHNS GIRLS-KALOLENI GIRLS
04 KILIFI 04111108 MOI KADZONZO GIRLS
04 KILIFI 04116201 GODOMA SEC BOYS
04 KILIFI 04116302 SOKOKE BOYS
04 KILIFI 04122102 DR KRAPF BOYS
04 KILIFI 04122103 KOMBENI GIRLS
04 KILIFI 04122105 RIBE GIRLS GIRLS
04 KILIFI 04129201 LUTSANGANI BOYS
05 TANA RIVER 05103102 MAU MAU SEC GIRLS
05 TANA RIVER 05103103 WENJE SEC MIXED
05 TANA RIVER 05112201 TARASAA SEC MIXED
05 TANA RIVER 05112203 KIPINI SEC MIXED
05 TANA RIVER 05117101 HIRIMANI SEC MIXED
05 TANA RIVER 05117201 MADOGO SEC MIXED
06 LAMU 06130101 LAMU BOYS SEC BOYS
07 NYANDARUA 07201101 NDARAGWA GIRLS GIRLS
07 NYANDARUA 07201102 LESHAU BOYS
07 NYANDARUA 07201103 SHAMATA GIRLS GIRLS
07 NYANDARUA 07209102 MAGOMANO GIRLS GIRLS
07 NYANDARUA 07214101 NYAHURURU HIGH BOYS
07 NYANDARUA 07214102 ST PAUL AMANI BOYS-KANGUI BOYS
07 NYANDARUA 07215202 WANJOHI GIRLS GIRLS
07 NYANDARUA 07216101 NJABIN BOYS BOYS
07 NYANDARUA 07216103 MAGUMU HIGH BOYS
07 NYANDARUA 07216108 MT. KINANGOP GIRLS GIRLS
07 NYANDARUA 07225101 NYAKIAMBI GIRLS
08 NYERI 08202001 NYERI HIGH BOYS
08 NYERI 08202007 GIAKANJA BOYS BOYS
08 NYERI 08202010 MURUGURU GIRLS GIRLS
08 NYERI 08210101 ST TERESA MOI EQUARTOR GIRLS GIRLS
08 NYERI 08210102 NAROMORU BOYS BOYS
08 NYERI 08210201 NAROMORU GIRLS GIRLS
08 NYERI 08217101 KANJURI BOYS BOYS
08 NYERI 08217103 KIARITHAINI BOYS
08 NYERI 08217202 KIRIMARA BOYS BOYS
08 NYERI 08217204 MAGUTU GIRLS GIRLS
08 NYERI 08218102 TUMUTUMU GIRLS
08 NYERI 08219101 SOUTH TETU GIRLS GIRLS
08 NYERI 08219102 MUKURWE-INI BOYS BOYS
08 NYERI 08219103 ST. BONAVENTURE KAHETI BOYS SCH. BOYS
08 NYERI 08220201 ENDARASHA BOYS BOYS
08 NYERI 08220301 GATARAGWA GIRLS GIRLS
08 NYERI 08221201 DEDAN KIMATHI BOYS
08 NYERI 08221301 KANGUBIRI GIRLS
08 NYERI 08237001 KARIMA BOYS S. S. BOYS
08 NYERI 08237002 OUR LADY OF FATIMA CHINGA GIRLS GIRLS
08 NYERI 08237003 KENYATTA MAHIGA S. S. BOYS
08 NYERI 08237004 CHINGA BOYS S. S. BOYS
08 NYERI 08237005 OTHAYA BOYS BOYS
08 NYERI 08237009 OTHAYA GIRLS GIRLS
08 NYERI 08237010 BIRITHIA GIRLS S. S. GIRLS
08 NYERI 08237011 GATUGI GIRLS S. S. GIRLS
08 NYERI 08237012 MAHIGA GIRLS S. S. GIRLS
09 KIRINYAGA 09203401 KERUGOYA BOYS HIGH SCHOOL BOYS
09 KIRINYAGA 09203402 KERUGOYA GIRLS HIGH SCHOOL GIRLS
09 KIRINYAGA 09203403 KAMUIRU BOYS SEC BOYS
09 KIRINYAGA 09203404 NGARU GIRLS GIRLS
09 KIRINYAGA 09203405 MUTIRA GIRLS SEC GIRLS
09 KIRINYAGA 09203427 NJEGA BOYS BOYS
09 KIRINYAGA 09222104 MUGUMO GIRLS GIRLS
09 KIRINYAGA 09222201 KIANYAGA BOYS BOYS
09 KIRINYAGA 09222202 ST. MARY KARUMANDI BOYS BOYS
09 KIRINYAGA 09222204 ST.BAKHITA KIBURIA GIRLS GIRLS
09 KIRINYAGA 09222301 NGIRIAMBU GIRLS GIRLS
09 KIRINYAGA 09222303 KIAMUTUGU BOYS BOYS
09 KIRINYAGA 09223103 KIBURU BOYS BOYS
09 KIRINYAGA 09223105 KIARAGANA GIRLS GIRLS
09 KIRINYAGA 09223202 KIINE GIRLS GIRLS
09 KIRINYAGA 09223204 MUKANGU BOYS BOYS
09 KIRINYAGA 09224201 KAROTI GIRLS GIRLS
09 KIRINYAGA 09239105 ST. MARYS MWEA GIRLS GIRLS
10 MURANG’A 10204102 MUMBI GIRLS GIRLS
10 MURANG’A 10208101 MAKUYU BOYS BOYS
10 MURANG’A 10208201 KAMAHUHA GIRLS HIGH SCH. GIRLS
10 MURANG’A 10208210 MAKUYU GIRLS GIRLS
10 MURANG’A 10208301 NGINDA GIRL’S SEC SCH. GIRLS
10 MURANG’A 10208307 ICHAGAKI BOYS HIGH SCH. BOYS
10 MURANG’A 10226201 GITHUMU HIGH SCH. BOYS
10 MURANG’A 10226202 GITURU SEC.SCH. BOYS
10 MURANG’A 10226210 NGARARIA GIRLS HIGH SCH. GIRLS
10 MURANG’A 10226211 NAARO HIGH SCH. MIXED
10 MURANG’A 10226216 GAICHAJIRU HIGH SCH. BOYS
10 MURANG’A 10226217 GITHUNGURI GIRLS HIGH SCH. GIRLS
10 MURANG’A 10226227 ST. ALEXIS RUCHU GIRLS
10 MURANG’A 10226232 ST. CHARLES LWANGA SECONDARY SCHOOL – KARIMAMWARO MIXED
10 MURANG’A 10227101 KIGUMO BENDERA HIGH SCH. BOYS
10 MURANG’A 10227301 NJIIRI SCH. BOYS
10 MURANG’A 10228101 NJUMBI HIGH SCH. BOYS
10 MURANG’A 10228301 GITUGI GIRLS HIGH SCH. GIRLS
10 MURANG’A 10228401 KIRIA-INI GIRLS SEC SCH. GIRLS
10 MURANG’A 10229101 KANGEMA HIGH SCH. BOYS
10 MURANG’A 10229202 NYAGATUGU SEC BOYS
10 MURANG’A 10229205 KIBUTHA GIRLS SEC SCH. GIRLS
10 MURANG’A 10234401 GATANGA GIRLS GIRLS
10 MURANG’A 10234408 KIRWARA SEC SCH. BOYS
10 MURANG’A 10238101 KAHUHIA GIRLS GIRLS
10 MURANG’A 10238102 KIROGO SEC BOYS
10 MURANG’A 10238103 WEITHAGA BOYS SEC BOYS
10 MURANG’A 10238104 KIANDERI GIRLS SEC SCHOOL GIRLS
10 MURANG’A 10238114 KIAGUTHU BOYS BOYS
11 KIAMBU 11205101 KANUNGA HIGH BOYS
11 KIAMBU 11205108 LORETO GIRLS HIGH KIAMBU GIRLS
11 KIAMBU 11205201 ST. ANNE’S SEC. -LIOKI GIRLS
11 KIAMBU 11205204 KIAMBU HIGH SCHOOL BOYS
11 KIAMBU 11205205 NDUMBERI GIRLS SEC GIRLS
11 KIAMBU 11207101 THIKA HIGH SCHOOL BOYS
11 KIAMBU 11207102 CHANIA BOYS’ HIGH BOYS
11 KIAMBU 11207108 CHANIA GIRLS’ HIGH GIRLS
11 KIAMBU 11212101 MUHOHO HIGH BOYS
11 KIAMBU 11212102 ITURU BOYS
11 KIAMBU 11212103 MURURIA BOYS
11 KIAMBU 11212108 KIMUNYU BOYS
11 KIAMBU 11212114 MUTHIGA GIRLS
11 KIAMBU 11230202 MOI GIRLS KAMANGU GIRLS
11 KIAMBU 11231102 PRECIOUS BLOOD KAGWE GIRLS
11 KIAMBU 11231207 KIJABE BOYS HIGH SCHOOL BOYS
11 KIAMBU 11231208 KIJABE GIRLS HIGH SCHOOL GIRLS
11 KIAMBU 11232101 KAMBUI GIRLS GIRLS
11 KIAMBU 11232102 ST JOSEPHS GITHUNGURI BOYS
11 KIAMBU 11232107 GITWE GIRLS GIRLS
11 KIAMBU 11232201 GITHIGA BOYS SEC BOYS
11 KIAMBU 11236101 ST.FRANCIS GIRLS  (MANG’U) GIRLS
11 KIAMBU 11240106 SNR.  CHIEF KOINANGE GIRLS GIRLS
11 KIAMBU 11240107 MUTHURWA GIRLS SEC GIRLS
11 KIAMBU 11241001 MARY LEAKEY GIRLS GIRLS
11 KIAMBU 11241002 KIRANGARI HIGH BOYS
11 KIAMBU 11241012 KAHUHO UHURU HIGH BOYS
11 KIAMBU 11241015 UTHIRU GIRLS HIGH GIRLS
12 MACHAKOS 12301702 MACHAKOS GIRLS GIRLS
12 MACHAKOS 12301703 MUMBUNI BOYS BOYS
12 MACHAKOS 12301704 MUA HILLS  GIRLS GIRLS
12 MACHAKOS 12301710 NGELANI HIGH BOYS
12 MACHAKOS 12301734 MUMBUNI GIRLS GIRLS
12 MACHAKOS 12314101 MASII BOYS BOYS
12 MACHAKOS 12314103 MUTHETHENI GIRLS GIRLS
12 MACHAKOS 12314106 VYULYA GIRLS GIRLS
12 MACHAKOS 12314114 MASII GIRLS GIRLS
12 MACHAKOS 12314201 ST.MICHAEL KABAA BOYS
12 MACHAKOS 12316101 KANGUNDO HIGH SCHOOL BOYS
12 MACHAKOS 12316104 MISYANI GIRLS’ SECONDARY SCHOOL GIRLS
12 MACHAKOS 12329103 KATHIANI BOYS H. SCH. BOYS
12 MACHAKOS 12343301 MASINGA BOYS BOYS
12 MACHAKOS 12343302 ST. JOSEPHINE BAKHITA MASINGA GIRLS GIRLS
12 MACHAKOS 12345501 TALA BOYS BOYS
12 MACHAKOS 12345503 MATUNGULU GIRLS GIRLS
12 MACHAKOS 12345504 AIC SENGANI GIRLS GIRLS
12 MACHAKOS 12345508 TALA GIRLS GIRLS
12 MACHAKOS 12363103 AIC NYAYO GIRLS SECONDARY SCHOOL GIRLS
12 MACHAKOS 12363111 KITONYINI HIGH SCHOOL MIXED
13 KITUI 13302102 ST CHARLES LWANGA SCHOOL BOYS
13 KITUI 13302103 ST. ANGELA’S GIRLS SECONDARY SCHOOL GIRLS
13 KITUI 13302105 ST THOMAS AQUINAS KALAWA BOYS
13 KITUI 13302107 ST URSULA GIRLS’ SEC -TUNGUTU GIRLS
13 KITUI 13302108 ST.MONICA GIRLS MULUTU SEC GIRLS
13 KITUI 13310102 MWINGI BOYS SEC BOYS
13 KITUI 13310103 YAMBYU GIRLS GIRLS
13 KITUI 13310201 ST. PAUL’S WAITA SEC MIXED
13 KITUI 13317101 OUR LADY OF MERCY -MUTOMO GIRLS GIRLS
13 KITUI 13328101 KYUSO BOYS SECONDARY BOYS
13 KITUI 13328102 ST. THERESA’S KIMANGAO GIRLS GIRLS
13 KITUI 13331201 MUTONGUNI BOYS BOYS
13 KITUI 13331204 KATHEKA BOYS BOYS
13 KITUI 13331205 KYONDONI GIRLS’ GIRLS
13 KITUI 13332102 SOMBE GIRLS SEC GIRLS
13 KITUI 13338202 ST. TERESA’S UKASI GIRLS’ GIRLS
13 KITUI 13339101 KYOME BOYS BOYS
13 KITUI 13339102 MIGWANI BOYS BOYS
13 KITUI 13339103 KYOME GIRLS GIRLS
13 KITUI 13339105 NZAUNI SECONDARY MIXED
13 KITUI 13339106 ITOLONI GIRLS GIRLS
13 KITUI 13339107 KYAMBOO SEC MIXED
13 KITUI 13339108 MUSUANI SEC MIXED
13 KITUI 13339201 NGUUTANI SEC BOYS
13 KITUI 13339204 THITANI GIRLS SEC GIRLS
13 KITUI 13339301 NZELUNI GIRLS SEC GIRLS
13 KITUI 13344101 ST.LUKES YATTA BOYS BOYS
13 KITUI 13351101 NZAMBANI SEC BOYS
13 KITUI 13351102 CHULUNI GIRLS GIRLS
13 KITUI 13353102 ITOLEKA GIRLS GIRLS
13 KITUI 13353201 MULANGO GIRLS GIRLS
13 KITUI 13353301 MALIKU GIRLS GIRLS
13 KITUI 13354101 KISASI BOYS BOYS
13 KITUI 13354201 MBITINI  GIRLS GIRLS
13 KITUI 13357101 IKUTHA BOYS’ BOYS
13 KITUI 13357102 IKUTHA  GIRLS’ GIRLS
13 KITUI 13360101 MATINYANI BOYS BOYS
13 KITUI 13365101 ST. JOSEPH  MUTITO BOYS BOYS
13 KITUI 13365102 ST. MARY MUTITO GIRLS GIRLS
13 KITUI 13366101 GANKANGA MIXED
14 EMBU 14303101 KANGARU  SCHOOL BOYS
14 EMBU 14303102 ST. MARYS KIANGIMA SECONDARY SCHOOL GIRLS
14 EMBU 14303104 KANGARU GIRLS SCHOOL GIRLS
14 EMBU 14303105 KIRIMARI BOYS SEC SCHOOL BOYS
14 EMBU 14303201 ST PAUL’S HIGH SCHOOL KEVOTE BOYS
14 EMBU 14303203 ST TERESA’S GIRLS’ – KITHIMU GIRLS
14 EMBU 14312101 SIAKAGO BOYS HIGH SCHOOL BOYS
14 EMBU 14312104 GANGARA SECONDARY MIXED
14 EMBU 14312105 KIAMBERE COMPLEX MIXED
14 EMBU 14312301 KANYUAMBORA SECONDARY SCHOOL BOYS
14 EMBU 14333102 ST CATHERINE NTHAGAIYA GIRLS
14 EMBU 14333201 KYENI GIRLS GIRLS
14 EMBU 14333202 KEGONGE BOYS
14 EMBU 14333203 KIAGANARI GIRLS
14 EMBU 14341101 MAYORI SEC. MIXED
14 EMBU 14341104 MARIARI GIRLS SEC. GIRLS
14 EMBU 14341116 ST. AUGUSTINE  MARIARI SEC. MIXED
14 EMBU 14341201 NYANGWA BOYS BOYS
14 EMBU 14341404 JOSEPH ALLAMANO- WACHORO SECONDARY SCHOOL BOYS
14 EMBU 14355101 KAMAMA BOYS BOYS
14 EMBU 14355102 KIRIARI GIRLS GIRLS
14 EMBU 14355112 KAVUTIRI BOYS BOYS
14 EMBU 14355201 NGUVIU BOYS BOYS
14 EMBU 14355202 NGUVIU GIRLS GIRLS
15 MERU 15304102 KAAGA GIRLS GIRLS
15 MERU 15304103 KAAGA BOYS BOYS
15 MERU 15304106 GIKUMENE GIRLS GIRLS
15 MERU 15309201 MAUA GIRLS GIRLS
15 MERU 15309301 IGEMBE BOYS BOYS
15 MERU 15318101 ABOTHUGUCHI SEC BOYS
15 MERU 15318104 KIRIGARA GIRLS GIRLS
15 MERU 15318309 KINJO GIRLS GIRLS
15 MERU 15319101 NKUBU HIGH BOYS
15 MERU 15319104 NKUENE GIRLS GIRLS
15 MERU 15319201 KANYAKINE GIRLS
15 MERU 15319205 YURURU GIRLS GIRLS
15 MERU 15319221 MARAA SECONDARY GIRLS
15 MERU 15319306 GIKURUNE BOYS BOYS
15 MERU 15319307 GAKUUNI GIRLS
15 MERU 15319310 GIKURUNE GIRLS GIRLS
15 MERU 15327101 MIATHENE BOYS BOYS
15 MERU 15334102 ONTULILI BOYS SECONDARY SCHOOL BOYS
15 MERU 15337301 NTUNENE GIRLS GIRLS
15 MERU 15361115 MIKINDURI  GIRLS GIRLS
15 MERU 15362101 BURIERURI BOYS BOYS
15 MERU 15362102 KANGETA GIRLS GIRLS
15 MERU 15362103 NJIA BOYS BOYS
15 MERU 15364204 RUIRI GIRLS GIRLS
15 MERU 15364301 KIBIRICHIA BOYS BOYS
15 MERU 15364302 KIBIRICHIA GIRLS GIRLS
16 MARSABIT 16305101 MARSABIT BOYS BOYS
16 MARSABIT 16305202 SASURA GIRLS GIRLS
16 MARSABIT 16311102 MOYALE GIRLS SEC GIRLS
16 MARSABIT 16320302 CHALBI  BOYS BOYS
16 MARSABIT 16340201 SOLOLO MIXED SEC SCHOOL MIXED
16 MARSABIT 16340202 DR.GURRACHA MEMORIAL GIRLS GIRLS
16 MARSABIT 16359101 LOIYANGALANI MIXED SEC. MIXED
17 ISIOLO 17306101 ISIOLO BOYS BOYS
17 ISIOLO 17322201 KINNA SECONDARY MIXED
18 MAKUENI 18307102 MAKUENI GIRLS GIRLS
18 MAKUENI 18307103 MWAANI GIRLS GIRLS
18 MAKUENI 18307105 MWAANI BOYS BOYS
18 MAKUENI 18307201 KAUMONI BOYS BOYS
18 MAKUENI 18323102 MBOONI BOYS BOYS
18 MAKUENI 18324205 NGOTO BOYS HIGH SCHOOL BOYS
18 MAKUENI 18324206 BARAZANI GIRLS GIRLS
18 MAKUENI 18324301 MATILIKU BOYS HIGH SCHOOL BOYS
18 MAKUENI 18325201 KALULINI BOYS BOYS
18 MAKUENI 18325209 ST. JOSEPH’S GIRLS SECONDARY KIBWEZI GIRLS
18 MAKUENI 18335201 ST MARTIN KATHONZWENI BOYS BOYS
18 MAKUENI 18336101 PRECIOUS BLOOD-KILUNGU GIRLS
18 MAKUENI 18346101 KITONDO SECONDARY BOYS
18 MAKUENI 18346102 KISAU GIRLS SECONDARY GIRLS
18 MAKUENI 18346205 KALAWA BOYS  SECONDARY BOYS
18 MAKUENI 18347401 KASIKEU BOYS BOYS
18 MAKUENI 18347501 MUKAA BOYS BOYS
18 MAKUENI 18348101 MAKINDU BOYS BOYS
18 MAKUENI 18348112 MOI GIRLS-KIBWEZI GIRLS
19 THARAKANITHI 19308301 CHUKA BOYS BOYS
19 THARAKANITHI 19308304 CHUKA GIRLS GIRLS
19 THARAKANITHI 19308306 KARAMUGI G. GIRLS
19 THARAKANITHI 19308308 IKAWA MIXED
19 THARAKANITHI 19308502 MUKUUNI HIGH BOYS
19 THARAKANITHI 19308503 IKUU GIRLS GIRLS
19 THARAKANITHI 19308504 NJURI HIGH MIXED
19 THARAKANITHI 19308505 MAGUMONI GIRLS GIRLS
19 THARAKANITHI 19313101 THARAKA BOYS BOYS
19 THARAKANITHI 19313203 MATERI BOYS BOYS
19 THARAKANITHI 19326101 MUTHAMBI GIRLS GIRLS
19 THARAKANITHI 19326102 MUTHAMBI BOYS BOYS
19 THARAKANITHI 19326103 KIINI HIGH SCHOOL MIXED
19 THARAKANITHI 19326104 OUR LADY OF MERCY GIRLS – MAGUNDU GIRLS
19 THARAKANITHI 19326105 KAJIUDUTHI HIGH SCH BOYS
19 THARAKANITHI 19326201 CHOGORIA BOYS BOYS
19 THARAKANITHI 19326203 KIRIANI BOYS BOYS
19 THARAKANITHI 19326204 CHIEF MBOGORI GIRLS GIRLS
19 THARAKANITHI 19326206 IGWANJAU SEC. MIXED
19 THARAKANITHI 19326207 IRUMA GIRLS GIRLS
19 THARAKANITHI 19326208 KIURANI BOYS BOYS
19 THARAKANITHI 19326211 MAKURI GIRLS GIRLS
19 THARAKANITHI 19326212 NGAITA GIRLS SEC GIRLS
19 THARAKANITHI 19367501 ITUGURURU MIXED
20 NAIROBI 20401001 AQUINAS HIGH SCHOOL BOYS
20 NAIROBI 20401002 HIGHWAY SECONDARY BOYS
20 NAIROBI 20401003 HURUMA GIRLS GIRLS
20 NAIROBI 20401004 OUR LADY OF MERCY SOUTH B GIRLS
20 NAIROBI 20401005 OFAFA JERICHO HIGH BOYS
20 NAIROBI 20401007 BURUBURU GIRLS GIRLS
20 NAIROBI 20401020 ST. ANNES GIRLS GIRLS
20 NAIROBI 20402004 UHURU SEC SCHOOL BOYS
20 NAIROBI 20403001 JAMUHURI HIGH BOYS
20 NAIROBI 20403002 DR. RIBEIRO BOYS
20 NAIROBI 20403003 PUMWANI BOYS BOYS
20 NAIROBI 20403004 NGARA GIRLS GIRLS
20 NAIROBI 20404001 LANGATA HIGH SCHOOL BOYS
20 NAIROBI 20405001 DAGORETTI HIGH SCHOOL BOYS
20 NAIROBI 20405004 PRECIOUS BLOOD SCHOOL RIRUTA GIRLS
20 NAIROBI 20405007 NEMBU GIRLS HIGH SCHOOL GIRLS
20 NAIROBI 20406001 PARKLANDS ARYA GIRLS GIRLS
20 NAIROBI 20406002 STATE HOUSE GIRLS GIRLS
20 NAIROBI 20406009 HOSPITAL HILL HIGH BOYS
20 NAIROBI 20406011 ST. GEORGES GIRLS GIRLS
20 NAIROBI 20406019 HIGHRIDGE SECONDARY GIRLS
20 NAIROBI 20409002 MUHURI MUCHIRI BOYS
20 NAIROBI 20410001 MOI NAIROBI GIRLS GIRLS
20 NAIROBI 20410002 UPPERHILL BOYS
21 TURKANA 21524101 LOKITAUNG S.A. BOYS BOYS
21 TURKANA 21524102 KATABOI GIRLS GIRLS
21 TURKANA 21525301 KATILU BOYS BOYS
21 TURKANA 21548101 AIC KANGITIT GIRLS GIRLS
21 TURKANA 21548102 RCEA LOKORI BOYS BOYS
21 TURKANA 21549102 OUR LADY’S GIRLS SECONDARY KAKUMA GIRLS
22 SAMBURU 22502204 A I C MOI GIRLS GIRLS
22 SAMBURU 22526102 WAMBA BOYS SEC BOYS
22 SAMBURU 22526103 WAMBA GIRLS SEC GIRLS
22 SAMBURU 22526201 UASO BOYS SEC BOYS
22 SAMBURU 22527101 NYIRO BOYS SECONDARY BOYS
22 SAMBURU 22527102 P.C.E.A TUUM GIRLS SEC. GIRLS
22 SAMBURU 22527201 BARAGOI BOYS SEC BOYS
22 SAMBURU 22527202 BARAGOI GIRLS SECONDARY GIRLS
23 TRANSNZOIA 23503108 BOMA BOYS HIGH SCHOOL BOYS
23 TRANSNZOIA 23503110 KITALE SCHOOL-SECONDARY GIRLS
23 TRANSNZOIA 23503111 ST JOSEPH’S GIRLS’ HIGH SCHOOL KITALE GIRLS
23 TRANSNZOIA 23528101 ST. MARKS BOYS HIGH SCH – CHERANGANI BOYS
23 TRANSNZOIA 23528105 IC MUKUYU BOYS BOYS
23 TRANSNZOIA 23528106 AIC MOI BOYS  SCHOOL KAPLAMAI BOYS
23 TRANSNZOIA 23528108 FRIENDS BWAKE SEC. BOYS
23 TRANSNZOIA 23528116 ST MARKS GIRLS –  CHERANGANI GIRLS
23 TRANSNZOIA 23528124 FRIENDS BWAKE GIRLS GIRLS
23 TRANSNZOIA 23528204 KIPKEIKEI BOYS HIGH SCHOOL BOYS
23 TRANSNZOIA 23529103 GOSETA BOYS HIGH SCHOOL BOYS
23 TRANSNZOIA 23529118 KWANZA GIRLS HIGH SCHOOL GIRLS
23 TRANSNZOIA 23529132 ST. MONICA’S GIRLS HIGH SCHOOL, KITALE GIRLS
23 TRANSNZOIA 23572102 ST. PAULS- KITUM HIGH SCH BOYS
23 TRANSNZOIA 23574101 ST ANTHONYS BOYS BOYS
23 TRANSNZOIA 23574140 KABUYEFWE GIRLS GIRLS
23 TRANSNZOIA 23574143 KABUYEFWE BOYS BOYS
24 WEST POKOT 24504101 ST CECILIA CHEPARERIA GIRLS GIRLS
24 WEST POKOT 24504102 CHEPKORNISWO SECONDARY BOYS
24 WEST POKOT 24504106 ST STEPHEN LAIKONG GIRLS SEC GIRLS
24 WEST POKOT 24504201 ORTUM SECONDARY SCHOOL BOYS
24 WEST POKOT 24504202 HOLY ROSARY GIRLS
24 WEST POKOT 24505102 NASOKOL GIRLS SEC. SCHOOL GIRLS
24 WEST POKOT 24505104 KAPENGURIA BOYS HIGH SCHOOL BOYS
24 WEST POKOT 24505401 SOOK BOYS BOYS
24 WEST POKOT 24530101 HOLY CROSS KACHELIBA BOYS BOYS
24 WEST POKOT 24530201 ST COMBONI AMAKURIAT BOYS
24 WEST POKOT 24531101 WEIWEI BOYS BOYS
25 BOMET 25508102 KABUNGUT BOYS BOYS
25 BOMET 25533103 KAPLONG BOYS BOYS
25 BOMET 25533106 CHEBILAT BOYS BOYS
25 BOMET 25533126 LORNA LABOSO GIRLS
25 BOMET 25533203 NDANAI GIRLS GIRLS
25 BOMET 25551101 KABOSON GIRLS SEC GIRLS
25 BOMET 25551117 CHEPALUNGU BOYS SEC BOYS
25 BOMET 25551207 MOI SIONGIROI GIRLS SEC GIRLS
25 BOMET 25563101 SASETA GIRLS GIRLS
25 BOMET 25563102 KOIWA BOYS BOYS
25 BOMET 25563105 BOITO BOYS BOYS
25 BOMET 25563301 KIMULOT BOYS BOYS
25 BOMET 25583108 LONGISA BOYS HIG BOYS
26 UASIN GISHU 26509111 TURBO GIRLS GIRLS
26 UASIN GISHU 26509112 KAMAGUT MIXED MIXED
26 UASIN GISHU 26509114 PAUL BOIT BOYS
26 UASIN GISHU 26509117 SUGOI GIRLS GIRLS
26 UASIN GISHU 26534107 PLATEAU GIRLS GIRLS
26 UASIN GISHU 26534114 KIPKABUS BOYS HIGH BOYS
26 UASIN GISHU 26534118 DRYS GIRLS GIRLS
26 UASIN GISHU 26534119 KAPNGETUNY BOYS
26 UASIN GISHU 26534122 ARNESSENS BOYS
26 UASIN GISHU 26535111 AIC NGERIA GIRLS GIRLS
26 UASIN GISHU 26535126 SIMAT BOYS
26 UASIN GISHU 26576103 KEROTET GIRLS SEC.SCHOOL GIRLS
26 UASIN GISHU 26576109 KIPSANGUI BOYS SEC. SCHOOL BOYS
26 UASIN GISHU 26576117 LORETO MATUNDA HIGH SCHOOL GIRLS
26 UASIN GISHU 26577100 CHEBISAAS BOYS BOYS
26 UASIN GISHU 26577117 SEKO GIRLS GIRLS
26 UASIN GISHU 26577124 MOIBEN HIGH SCHOOL BOYS
26 UASIN GISHU 26578001 HILL SCHOOL GIRLS
26 UASIN GISHU 26578003 CHEPLASKEI BOYS
26 UASIN GISHU 26578007 ST CATHERINE SEC KESSES GIRLS
26 UASIN GISHU 26578008 ACK. ST. LUKE CHEPTIRET BOYS
26 UASIN GISHU 26578009 KAPKOIGA GIRLS GIRLS
27 NAKURU 27536201 JOMO KENYATTA BOYS BOYS
27 NAKURU 27536203 BAHATI PCEA GIRLS GIRLS
27 NAKURU 27536241 JOMO KENYATTA GIRLS GIRLS
27 NAKURU 27537301 NAIVASHA GIRLS SEC GIRLS
27 NAKURU 27537303 NAIVASHA HIGH SCHOOL BOYS
27 NAKURU 27537319 ENAIPOSHA GIRLS SEC GIRLS
27 NAKURU 27537501 MAAI MAHIU BOYS BOYS
27 NAKURU 27537502 KIAMBOGO SEC. BOYS
27 NAKURU 27537505 MAAI MAHIU GIRLS GIRLS
27 NAKURU 27538101 MICHINDA BOYS BOYS
27 NAKURU 27538102 ELBURGON SEC MIXED
27 NAKURU 27538204 MARY MOUNT GIRLS GIRLS
27 NAKURU 27538208 MOLO ACADEMY BOYS
27 NAKURU 27552002 SOLAI BOYS BOYS
27 NAKURU 27552018 AIC MOROP GIRLS
27 NAKURU 27552032 KIROBON GIRLS GIRLS
27 NAKURU 27552047 KIPSYENAN MIXED
27 NAKURU 27552049 KIROBON BOYS BOYS
27 NAKURU 27564101 NJORO BOYS HIGH SCHOOL BOYS
27 NAKURU 27564102 NJORO GIRLS HIGH SCHOOL GIRLS
27 NAKURU 27564108 LARMUDIAC SEC MIXED
27 NAKURU 27570201 KOELEL BOYS
28 KERICHO 28512101 KERICHO HIGH SCHOOL BOYS
28 KERICHO 28512104 KERICHO TEA BOYS SEC BOYS
28 KERICHO 28512112 MOI TEA GIRLS SECONDARY GIRLS
28 KERICHO 28522501 TENGECHA BOYS BOYS
28 KERICHO 28522504 CHEBWAGAN SEC BOYS
28 KERICHO 28522505 LITEIN BOYS BOYS
28 KERICHO 28522508 CHEBORGE BOYS BOYS
28 KERICHO 28522509 TENGECHA GIRLS GIRLS
28 KERICHO 28522511 CHEBORGE GIRLS GIRLS
28 KERICHO 28522512 KORONGOI GIRLS GIRLS
28 KERICHO 28522515 CHELILIS GIRLS
28 KERICHO 28522520 AIC LITEIN GIRLS GIRLS
28 KERICHO 28522535 KIPTEWIT GIRLS GIRLS
28 KERICHO 28539105 KIPKELION GIRLS GIRLS
28 KERICHO 28539202 LELU SECONDARY SCHOOL MIXED
28 KERICHO 28553102 CHEPTENYE BOYS BOYS
28 KERICHO 28553103 SOSIOT GIRLS GIRLS
28 KERICHO 28553104 KABOROK GIRLS GIRLS
28 KERICHO 28553113 CHEPKOTON GIRLS GIRLS
28 KERICHO 28571201 LONDIANI BOYS BOYS
28 KERICHO 28571202 LONDIANI GIRLS GIRLS
28 KERICHO 28571203 SACRED HILL GIRLS GIRLS
28 KERICHO 28575203 SOLIAT BOYS BOYS
28 KERICHO 28575204 MOI KIPSITET GIRLS GIRLS
29 NANDI 29513101 KAPSABET GIRLS GIRLS
29 NANDI 29513105 KIPSIGAK BOYS BOYS
29 NANDI 29513204 HOLY ROSARY GIRLS SEC’- KOIBEM GIRLS
29 NANDI 29513305 KILIBWONI BOYS BOYS
29 NANDI 29513308 OUR LADY OF VICTORY GIRLS KAPNYEBERAI GIRLS
29 NANDI 29513310 TERIGE BOYS BOYS
29 NANDI 29523101 KEMELOI BOYS BOYS
29 NANDI 29523103 SEREM BOYS BOYS
29 NANDI 29523301 KAPTUMO BOYS BOYS
29 NANDI 29523302 ALDAI GIRLS GIRLS
29 NANDI 29523307 AIC CHEBISAAS GIRLS GIRLS
29 NANDI 29523308 KAPKOLEI GIRLS GIRLS
29 NANDI 29540102 CHEPTIL MIXED
29 NANDI 29540104 STEPHEN KOSITANY GIRLS GIRLS
29 NANDI 29540201 KURGUNG BOYS BOYS
29 NANDI 29540202 LABORET BOYS BOYS
29 NANDI 29540204 TULWO GIRLS GIRLS
29 NANDI 29540205 NDALAT GAA GIRLS GIRLS
29 NANDI 29541101 LELWAK BOYS BOYS
29 NANDI 29541201 SAMOEI BOYS BOYS
29 NANDI 29541202 OUR LADY OF PEACE GIRLS
29 NANDI 29542101 METEITEI BOYS BOYS
29 NANDI 29542102 ST. MARY`S TACHASIS GIRLS
29 NANDI 29579701 LELMOKWO BOYS BOYS
29 NANDI 29579702 ITIGO GIRLS GIRLS
30 LAIKIPIA 30514104 ST. JUDE NTURUKUMA GIRLS SCH GIRLS
30 LAIKIPIA 30514106 ST LOISE NANYUKI GIRLS GIRLS
30 LAIKIPIA 30543101 DOLDOL BOYS BOYS
30 LAIKIPIA 30543102 ST FRANCIS GIRLS DOL DOL GIRLS
30 LAIKIPIA 30544101 G.G. RUMURUTI BOYS BOYS
30 LAIKIPIA 30544201 NGUMO BOYS SECONDARY SCHOOL BOYS
30 LAIKIPIA 30555101 TIGITHI BOYS SEC BOYS
30 LAIKIPIA 30556101 GATERO GIRLS GIRLS
30 LAIKIPIA 30556201 MWENJE BOYS BOYS
30 LAIKIPIA 30556203 NJORUA GIRLS HIGH GIRLS
30 LAIKIPIA 30556301 NDURURUMO HIGH SCHOOL MIXED
30 LAIKIPIA 30556303 NDURURI MIXED MIXED
31 KAJIADO 31515101 OLKEJUADO HIGH SCHOOL BOYS
31 KAJIADO 31515403 KILUANI BOYS SEC. BOYS
31 KAJIADO 31545101 OLOITOKITOK BOYS BOYS
31 KAJIADO 31557204 ENOOMATASIAN GIRLS SECONDARY GIRLS
31 KAJIADO 31557206 NAKEEL BOYS HIGH SCHOOL BOYS
31 KAJIADO 31567201 NOONKOPIR GIRLS GIRLS
31 KAJIADO 31573101 BARAKA OONTOYIE GIRLS GIRLS
31 KAJIADO 31573106 OLOOSEOS GIRLS SEC. GIRLS
31 KAJIADO 31573201 NAJILE BOYS BOYS
32 NAROK 32516101 NAROK HIGH SCH BOYS
32 NAROK 32516102 MAASAI GIRLS GIRLS
32 NAROK 32516103 ST. MARY’S GIRLS SECONDARY SCHOOL-NAROK GIRLS
32 NAROK 32519103 KILGORIS GIRLS GIRLS
32 NAROK 32546401 OLOLULUNG’A SECONDARY SCHOOL BOYS
32 NAROK 32560201 EMURUA DIKIRR BOYS
32 NAROK 32581204 OLOMIRANI BOYS BOYS
32 NAROK 32581301 MOI NAIKARRA MIXED
33 BARINGO 33517101 TENGES BOYS BOYS
33 BARINGO 33517104 TABAGON GIRLS GIRLS
33 BARINGO 33517201 KABARNET HIGH SCH. BOYS
33 BARINGO 33517202 KAPROPITA GIRLS GIRLS
33 BARINGO 33517203 KITURO HIGH SCHOOL MIXED
33 BARINGO 33517205 PEMWAI GIRLS’ GIRLS
33 BARINGO 33521101 ELDAMA RAVINE GIRLS GIRLS
33 BARINGO 33521102 KABIMOI BOYS BOYS
33 BARINGO 33521105 SOLIAN GIRLS GIRLS
33 BARINGO 33521106 POROR HIGH BOYS
33 BARINGO 33521108 SAOS HIGH BOYS
33 BARINGO 33521109 TONIOK GIRLS GIRLS
33 BARINGO 33547101 OSSEN GIRLS GIRLS
33 BARINGO 33547103 MOI HIGH.KABARTONJO BOYS
33 BARINGO 33547201 BARTOLIMO BOYS BOYS
33 BARINGO 33547202 RUTH KIPTUI GIRLS GIRLS
33 BARINGO 33558101 MARIGAT BOYS
33 BARINGO 33562101 MOGOTIO GIRLS GIRLS
33 BARINGO 33562201 EMINING BOYS BOYS
33 BARINGO 33562303 KIMNGOROM GIRLS GIRLS
33 BARINGO 33562401 KISANANA BOYS BOYS
34 ELGEYO MARAKWET 34518102 SINGORE GIRLS GIRLS
34 ELGEYO MARAKWET 34518104 KIPSOEN SEC BOYS
34 ELGEYO MARAKWET 34518401 TAMBACH BOYS BOYS
34 ELGEYO MARAKWET 34518402 AIC KESSUP GIRLS GIRLS
34 ELGEYO MARAKWET 34520101 CHEBARA BOYS BOYS
34 ELGEYO MARAKWET 34520102 ST. PETERS MARAKWET BOYS BOYS
34 ELGEYO MARAKWET 34520103 YEMIT BOYS BOYS
34 ELGEYO
MARAKWET
34520104 SANTA MARIA CHEPTULON GIRLS
34 ELGEYO MARAKWET 34520109 YEMIT GIRLS GIRLS
34 ELGEYO MARAKWET 34520202 KAPSOWAR BOYS BOYS
34 ELGEYO MARAKWET 34559201 KAPKENDA GIRLS SEC GIRLS
34 ELGEYO MARAKWET 34559204 ST. AGATHA GIRLS MOKWO SEC GIRLS
34 ELGEYO MARAKWET 34559208 KAPTAGAT GIRLS SEC GIRLS
34 ELGEYO MARAKWET 34559501 SIMOTWO SEC BOYS
34 ELGEYO MARAKWET 34559502 METKEI GIRLS SEC GIRLS
34 ELGEYO MARAKWET 34559503 KIPSAOS BOYS SEC BOYS
34 ELGEYO MARAKWET 34561301 SAMIBIRIR GIRLS GIRLS
35 BUSIA 35601201 MUNDIKA  BOYS HIGH SCHOOL BOYS
35 BUSIA 35601202 ST. STEPHENS LWANYA GIRLS SECONDARY GIRLS
35 BUSIA 35606101 SA KOLANYA BOYS HIGH BOYS
35 BUSIA 35606103 BISHOP SULUMET CHELELEMUK GIRLS GIRLS
35 BUSIA 35609104 SIGALAME BOYS
35 BUSIA 35609105 NANGINA GIRLS GIRLS
35 BUSIA 35610101 ST BENEDICT  HIGH SCHOOL -BUDALANGI BOYS
35 BUSIA 35620101 ST. PAULS AMUKURA BOYS BOYS
35 BUSIA 35620201 CHAKOL GIRLS HIGH SCHOOL GIRLS
35 BUSIA 35623105 BUSIADA GIRLS GIRLS
35 BUSIA 35629101 NAMBALE SECONDARY SCHOOL BOYS
35 BUSIA 35629102 KISOKO GIRLS SECONDARY SCHOOL GIRLS
36 BUNGOMA 36602101 BUNGOMA HIGH SCHOOL BOYS
36 BUNGOMA 36602102 KIBABII HIGH  SCHOOL BOYS
36 BUNGOMA 36602103 CARDINAL OTUNGA GIRLS GIRLS
36 BUNGOMA 36605101 KAPSOKWONY HIGH BOYS
36 BUNGOMA 36605103 KIBUK GIRLS GIRLS
36 BUNGOMA 36612201 TEREMI BOYS HIGH SCHOOL BOYS
36 BUNGOMA 36612203 CHEBUKAKA GIRLS GIRLS
36 BUNGOMA 36613105 ST.CECILIA GIRLS MISIKHU GIRLS
36 BUNGOMA 36613115 NDIVISI GIRLS GIRLS
36 BUNGOMA 36621101 CHESAMISI BOYS’ HIGH SCHOOL BOYS
36 BUNGOMA 36621102 KAMUSINDE BOYS’ HIGH SCHOOL BOYS
36 BUNGOMA 36621108 MOI GIRLS’ HIGH KAMUSINGA GIRLS
36 BUNGOMA 36621110 ST. LUKE’S BOYS’ HIGH KIMILILI BOYS
36 BUNGOMA 36626101 CHWELE GIRLS GIRLS
36 BUNGOMA 36626205 A C BUTONGE HIGH SCH BOYS
36 BUNGOMA 36628101 KHASOKO HIGH SCHOOL BOYS
36 BUNGOMA 36635002 FRIENDS SCHOOL BOKOLI BOYS
36 BUNGOMA 36635006 NAMAWANGA GIRLS GIRLS
37 KAKAMEGA 37603005 BISHOP SULUMETI GIRLS
37 KAKAMEGA 37607101 MAUTUMA BOYS
37 KAKAMEGA 37607201 ARCH BISHOP NJENGA GIRLS
37 KAKAMEGA 37607203 ST. PAULS LUGARI BOYS
37 KAKAMEGA 37608003 BUTERE BOYS HIGH SCHOOL BOYS
37 KAKAMEGA 37614102 MALAVA BOYS BOYS
37 KAKAMEGA 37615001 MUSINGU H BOYS
37 KAKAMEGA 37615003 EREGI GIRLS GIRLS
37 KAKAMEGA 37615004 MUSOLI GIRLS GIRLS
37 KAKAMEGA 37615009 SHIKUNGA MIXED
37 KAKAMEGA 37616001 ST. AGNES SHIBUYE GIRLS
37 KAKAMEGA 37616006 MUKUMU BOYS H. BOYS
37 KAKAMEGA 37616007 MUKUMU G.H. GIRLS
37 KAKAMEGA 37616020 SHANDEREMA B.H. BOYS
37 KAKAMEGA 37617210 ST. MARY’S MUMIAS GIRLS GIRLS
37 KAKAMEGA 37617211 ST. PETERS MUMIAS BOYS HIGH BOYS
37 KAKAMEGA 37624002 KIVAYWA  BOYS BOYS
37 KAKAMEGA 37625106 MWIHILA HIGH BOYS
37 KAKAMEGA 37627109 MARY SEAT OF WISDOM BULIMBO GIRLS GIRLS
37 KAKAMEGA 37627112 ST. MATHIAS KHOLERA BOYS
37 KAKAMEGA 37631302 ST .JOHN THE BAPTIST LIKUYANI BOYS BOYS
37 KAKAMEGA 37631401 MOI GIRLS NANGILI GIRLS
37 KAKAMEGA 37631502 ST.ANNES NZOIA GIRLS GIRLS
37 KAKAMEGA 37632101 CHEBUYUSI BOYS BOYS
37 KAKAMEGA 37632304 INGOTSE HIGH SCHOOL BOYS
37 KAKAMEGA 37634307 LUBINU BOYS BOYS
38 VIHIGA 38604101 FRIENDS SCHOOL VIHIGA BOYS
38 VIHIGA 38604102 MUDAVADI GIRLS MADZUU GIRLS
38 VIHIGA 38604107 MADIRA GIRLS GIRLS
38 VIHIGA 38604109 ST. CLARE’S MARAGOLI G. GIRLS
38 VIHIGA 38618201 EMUSIRE BOYS
38 VIHIGA 38619101 GOIBEI GIRL’S HIGH SCH. GIRLS
38 VIHIGA 38619102 NYANGORI BOYS BOYS
38 VIHIGA 38619103 FRIENDS TIGOI GIRLS’ GIRLS
38 VIHIGA 38619201 FRIENDS KAIMOSI GIRLS GIRLS
38 VIHIGA 38619202 FRIENDS SCH. SENENDE BOYS
38 VIHIGA 38619203 FRIENDS KAIMOSI BOYS BOYS
38 VIHIGA 38619204 ST. PAULS ERUSUI GIRLS GIRLS
38 VIHIGA 38622102 MOI VOKOLI GIRLS GIRLS
38 VIHIGA 38622202 MBALE BOYS BOYS
38 VIHIGA 38622203 KEVEYE GIRLS GIRLS
38 VIHIGA 38622207 IGUNGA GIRLS GIRLS
38 VIHIGA 38633202 EBUBAYI  SEC. MIXED
38 VIHIGA 38633204 HOBUNAKA BOYS BOYS
38 VIHIGA 38633205 IBUBI GIRLS GIRLS
38 VIHIGA 38633210 EBUSAKAMI GIRLS SEC. GIRLS
39 KISUMU 39713001 AHERO GIRLS’ SEC. SCHOOL GIRLS
39 KISUMU 39713006 ONJIKO HIGH BOYS
39 KISUMU 39713021 OTIENO OYOO SEC. BOYS
39 KISUMU 39713023 MIGINGO GIRLS’ SEC. GIRLS
39 KISUMU 39714101 NGERE HIGH SCHOOL BOYS
39 KISUMU 39714106 ST. BARNABAS GIRLS’ SEC GIRLS
39 KISUMU 39733108 ACK RAE GIRLS SECONDARY GIRLS
39 KISUMU 39733212 NYABONDO HIGH SCHOOL BOYS
39 KISUMU 39733213 NYAKACH GIRLS HIGH SCHOOL GIRLS
39 KISUMU 39733216 SIGOTI COMPLEX GIRLS SECONDARY GIRLS
39 KISUMU 39733307 THURDIBUORO MIXED SECONDARY MIXED
39 KISUMU 39734312 MIWANI BOYS SECONDARY SCHOOL BOYS
39 KISUMU 39734401 ACHEGO GIRLS SEC. SCH. GIRLS
39 KISUMU 39734402 ST GREGORY KORU GIRLS SEC SCH GIRLS
39 KISUMU 39734408 ST. STEPHEN’S MENARA BOYS BOYS
39 KISUMU 39737022 CHULAIMBO SEC SCHOOL BOYS
39 KISUMU 39737025 SINYOLO GIRLS SECONDARY SCHOOL GIRLS
39 KISUMU 39741005 KISUMU BOYS’ HIGH SCHOOL BOYS
39 KISUMU 39741007 ST. TERESA’S GIRLS SECONDARY SCHOOL GIRLS
40 KISII 40703102 NYANCHWA BOYS BOYS
40 KISII 40703103 KERERI GIRLS GIRLS
40 KISII 40703118 NYANCHWA GIRLS GIRLS
40 KISII 40703403 NYAMAGWA S.D.A MIXED
40 KISII 40711101 ST ANGELA SENGERA GIRLS
40 KISII 40716101 ELCK ITIERIO BOYS BOYS
40 KISII 40716102 ST PETERS SUNEKA SEC GIRLS
40 KISII 40716103 ST PAULS IGONGA SEC BOYS
40 KISII 40716118 ELCK ITIERIO GIRLS GIRLS
40 KISII 40716119 ST ANNS NYANGOGE GIRLS GIRLS
40 KISII 40716122 B.C.M.NYAMOKENYE SEC MIXED
40 KISII 40719101 NDURU BOYS HIGH BOYS
40 KISII 40719103 ST. JOSEPH’S NYABIGENA BOYS BOYS
40 KISII 40719107 NDURU GIRLS HIGH GIRLS
40 KISII 40719301 TABAKA BOYS HIGH BOYS
40 KISII 40723201 ITIBO BOYS BOYS
40 KISII 40723203 ITIBO GIRLS GIRLS
40 KISII 40727101 RIOKINDO BOYS BOYS
40 KISII 40732114 NYAMACHE BOYS BOYS
40 KISII 40732206 NYANGUSU GIRLS GIRLS
40 KISII 40735101 MOI GESUSU HIGH SC BOYS
40 KISII 40735201 ST.CHARLES ICHUNI GIRLS GIRLS
40 KISII 40740101 ST. JOHNS NYAMAGWA BOYS
40 KISII 40740102 SAMETA BOYS BOYS
40 KISII 40740104 ST. MARY’S NYAMAGWA GIRLS GIRLS
40 KISII 40745101 CARDINAL OTUNGA BOYS
41 HOMA BAY 41704001 HOMA BAY HIGH BOYS
41 HOMA BAY 41704003 OGANDE GIRLS’ HIGH SCHOOL GIRLS
41 HOMA BAY 41709101 MOI GIRLS SINDO GIRLS
41 HOMA BAY 41709201 TONGA BOYS BOYS
41 HOMA BAY 41709203 GWASI GIRLS GIRLS
41 HOMA BAY 41710301 AGORO SARE HIGH SCHOOL BOYS
41 HOMA BAY 41724002 RATANG’A  BOYS SECONDARY SCHOOL BOYS
41 HOMA BAY 41724101 ST AUGASTINE MIROGI BOYS BOYS
41 HOMA BAY 41724102 MIROGI GIRLS GIRLS
41 HOMA BAY 41724203 MAGINA GIRLS SEC GIRLS
41 HOMA BAY 41730102 TOM MBOYA SECONDARY BOYS
41 HOMA BAY 41730107 NYAMASARE GIRLS GIRLS
41 HOMA BAY 41730309 AMB PAMELA MBOYA GIRLS GIRLS
41 HOMA BAY 41731002 ST. IGNATIUS LOYOLA MAWEGO GIRLS GIRLS
41 HOMA BAY 41731101 GENDIA HIGH SCHOOL BOYS
41 HOMA BAY 41731303 ORIWO BOYS
41 HOMA BAY 41742103 KUOYO KOCHIA BOYS BOYS
41 HOMA BAY 41742105 ORERO BOYS SECONDARY SCHOOL BOYS
41 HOMA BAY 41743101 WANGAPALA BOYS’ BOYS
41 HOMA BAY 41743103 BISHOP LINUS OKOK GIRLS
41 HOMA BAY 41743203 DUDI GIRLS’ GIRLS
41 HOMA BAY 41743204 OBER BOYS’ BOYS
41 HOMA BAY 41743205 OUR LADY OF MERCY  RINGA BOYS’ BOYS
42 SIAYA 42705102 BISHOP OKOTH MBAGA GIRLS SEC.SCH GIRLS
42 SIAYA 42705202 BARDING BOYS SEC. SCH BOYS
42 SIAYA 42712102 NYAMIRA GIRLS SEC. GIRLS
42 SIAYA 42712301 USENGE BOYS HIGH SCHOOL BOYS
42 SIAYA 42712304 ST. AUGUSTINE NYAMONYE GIRLS SEC. GIRLS
42 SIAYA 42721101 CHIANDA HIGH SCHOOL BOYS
42 SIAYA 42721201 ST. MARY’S LWAK GIRLS’ SEC. SCHOOL GIRLS
42 SIAYA 42721202 RAMBA BOYS SEC. SCHOOL BOYS
42 SIAYA 42725101 UKWALA BOYS SEC. SCHOOL BOYS
42 SIAYA 42725102 SEGA GIRLS SEC. SCHOOL GIRLS
42 SIAYA 42726201 SIREMBE SEC. SCHOOL MIXED
42 SIAYA 42726202 ST. CECILIA ALUOR GIRLS SEC. SCHOOL GIRLS
42 SIAYA 42738101 ST. FRANCIS RANGA’LA GIRLS SEC. SCHOOL GIRLS
42 SIAYA 42738102 AMBIRA HIGH SCHOOL BOYS
42 SIAYA 42738103 RANG’ALA BOYS SEC. SCHOOL BOYS
42 SIAYA 42749111 MUTUMBU GIRLS SEC. SCHOOL GIRLS
42 SIAYA 42749112 NYANGULU SEC. SCHOOL BOYS
42 SIAYA 42749114 ST. BARNABAS ANYIKO SEC. SCHOOL BOYS
42 SIAYA 42749125 ONDING MIXED SEC. SCHOOL GIRLS
43 NYAMIRA 43706101 NYANSABAKWA SEC. BOYS
43 NYAMIRA 43706102 OUR LADY OF MERCY RANGENYO GIRLS GIRLS
43 NYAMIRA 43706107 MARINDI MIXED MIXED
43 NYAMIRA 43706109 NYAMIRA TECHNICAL SEC. BOYS
43 NYAMIRA 43706110 GESIAGA SEC MIXED
43 NYAMIRA 43706115 KEBIRIGO HIGH SCHOOL BOYS
43 NYAMIRA 43706117 ST. PETER’S NYAKEMINCHA SEC. MIXED
43 NYAMIRA 43715105 ST. CYPRIAN BITICHA MIXED
43 NYAMIRA 43715112 NYAKONGO BOYS
43 NYAMIRA 43720106 NYANSIONGO BOYS
43 NYAMIRA 43720107 MENYENYA MIXED
43 NYAMIRA 43720110 ST. MATHIAS MULUMBA GIRLS
43 NYAMIRA 43720111 MWONGORI MIXED
43 NYAMIRA 43720113 ST PAULS NYANDOCHE IBERE GIRLS
43 NYAMIRA 43722101 ST. PAUL’S GEKANO BOYS BOYS
43 NYAMIRA 43722104 TOMBE GIRLS GIRLS
43 NYAMIRA 43722107 NYAIKURO MIXED MIXED
43 NYAMIRA 43728105 KEBABE GIRLS GIRLS
43 NYAMIRA 43728120 NYAMIRANGA MIXED
43 NYAMIRA 43728210 MATONGO BOYS BOYS
44 MIGORI 44707102 MIGORI BOYS BOYS
44 MIGORI 44707105 KADIKA GIRLS’ SECONDARY GIRLS
44 MIGORI 44707106 NYABISAWA GIRLS SEC GIRLS
44 MIGORI 44707108 ANJEGO MIXED MIXED
44 MIGORI 44708101 TARANG’ANYA BOYS HIGH SCHOOL BOYS
44 MIGORI 44708102 IKEREGE MIXED MIXED
44 MIGORI 44717101 KANYAWANGA SECONDARY SCHOOL BOYS
44 MIGORI 44717102 KODEROBARA BOYS BOYS
44 MIGORI 44717107 OYUGI OGANGO GIRLS GIRLS
44 MIGORI 44717108 KANGESO BOYS BOYS
44 MIGORI 44718202 NYAROHA GIRLS GIRLS
44 MIGORI 44729104 SORI BOYS
44 MIGORI 44729106 BANDE GIRLS’ GIRLS
44 MIGORI 44736101 ST JOSEPH’S RAPOGI SECONDARY SCHOOL BOYS
44 MIGORI 44736201 BWARE MIXED MIXED
44 MIGORI 44736203 ST. PIUS URIRI HIGH SCHOOL BOYS
44 MIGORI 44739103 PE-HILL HIGH SCHOOL BOYS
44 MIGORI 44739104 ST. ALBERT’S GIRLS HIGH SCHOOL, ULANDA GIRLS
44 MIGORI 44739201 ST MARY GORRETY -DEDE GIRLS
44 MIGORI 44744101 ST. PETER’S ABWAO SEC BOYS
44 MIGORI 44744102 MOI SUBA GIRLS SEC GIRLS
44 MIGORI 44748004 ST MARY’S MABERA GIRLS GIRLS
44 MIGORI 44748015 ST ANGELA MERICI GIRLS
44 MIGORI 44748016 ISIBANIA BOYS SEC BOYS
45 GARISSA 45801103 COUNTY HIGH BOYS
45 GARISSA 45806102 FAFI GIRLS SECONDARY GIRLS
45 GARISSA 45816102 SAKA GIRLS SECONDARY GIRLS
45 GARISSA 45816103 SANKURI SECONDARY BOYS
46 WAJIR 46802102 SABUNLEY SECONDARY BOYS
46 WAJIR 46807101 BUTE BOYS SEC BOYS
46 WAJIR 46807102 BUTE GIRLS SEC GIRLS
46 WAJIR 46808101 GRIFTU SEC SCHOOL BOYS
46 WAJIR 46808102 HON KHALIF GIRLS GIRLS
47 MANDERA 47810103 TAKABA GIRLS SEC GIRLS
47 MANDERA 47812101 SHEIKH ALI HIGH BOYS
47 MANDERA 47812204 LIBIN NOMADIC GIRLS GIRLS
47 MANDERA 47817101 WAYAM SECONDARY BOYS

BACHELOR OF SCIENCE IN ENERGY AND ENVIRONMENTAL TECHNOLOGY KUCCPS CUT OFF POINTS, REQUIREMENTS 2022-2023

BACHELOR OF SCIENCE IN ENERGY AND ENVIRONMENTAL TECHNOLOGY KUCCPS CUT OFF POINTS, REQUIREMENTS 2022-2023

BACHELOR OF SCIENCE IN ENERGY AND ENVIRONMENTAL TECHNOLOGY
PROG CODE INSTITUTION NAME PROGRAMME NAME 2022/2023 CUTOFF 2019/2021 CUTOFF 2018 CUTOFF 2017 CUTOFF 2016 CUTOFF 2015 CUTOFF
1 1117514 PWANI UNIVERSITY BACHELOR OF SCIENCE IN ENERGY AND ENVIRONMENTAL TECHNOLOGY 16.791 25.992
2 1249514 JOMO KENYATTA UNIVERSITY OF AGRICULTURE AND TECHNOLOGY BACHELOR OF SCIENCE IN ENERGY AND ENVIRONMENTAL TECHNOLOGY 16.791 29.179 24.892 32.829 24.175
3 1279514 MOUNT KENYA UNIVERSITY BACHELOR OF SCIENCE IN ENERGY AND ENVIRONMENTAL TECHNOLOGY 16.791 28.855
BACHELOR OF ARTS (HISTORY AND ARCHAEOLOGY)
1 1117523 PWANI UNIVERSITY BACHELOR OF ARTS (HISTORY AND ARCHAEOLOGY) 25.667 24.919 25.733 26.677 23
2 1229523 MASENO UNIVERSITY BACHELOR OF ARTS (HISTORY AND ARCHAEOLOGY, WITH IT) 27.435 26.868 26.421 25.715 26.267 33.28
BACHELOR OF ARTS ( POLITICAL SCIENCE)
1 1117551 PWANI UNIVERSITY BACHELOR OF ARTS ( POLITICAL SCIENCE) 25.389 24.121 25.145
2 1229551 MASENO UNIVERSITY BACHELOR OF ARTS ( POLITICAL SCIENCE, WITH IT) 25.456 24.264 24.806 25.978 29.708 34.354
BACHELOR OF ARTS (ENGLISH & COMMUNICATION)
1 1117583 PWANI UNIVERSITY BACHELOR OF ARTS (ENGLISH & COMMUNICATION) 26.152 33.101
2 1176583 LAIKIPIA UNIVERSITY BACHELOR OF ARTS (ENGLISH & COMMUNICATION) 25.437 25.39 25.514 26.154 30.763
BACHELOR OF EDUCATION(ARTS) WITH IT
1 1114418 UNIVERSITY OF ELDORET BACHELOR OF SCIENCE WITH EDUCATION 2022/2023 CUTOFF 2019/2021 CUTOFF 20.962 28.15
1 1117585 PWANI UNIVERSITY BACHELOR OF ARTS (PHILOSOPHY) 24.943 24.356 26.531 26.913 23
2 1229585 MASENO UNIVERSITY BACHELOR OF ARTS (PHILOSOPHY, WITH IT) 24.81 24.215 24.657 25.937 26.269 23
BACHELOR OF ARTS IN ENGLISH AND LINGUISTICS
1 1117602 PWANI UNIVERSITY BACHELOR OF ARTS IN ENGLISH AND LINGUISTICS 24.978 25.438 25.045
2 1181602 UNIVERSITY OF EASTERN AFRICA, BARATON BACHELOR OF ARTS IN ENGLISH LANGUAGE 30.537 23
BACHELOR OF ARTS IN ISLAMIC STUDIES
1 1117630 PWANI UNIVERSITY BACHELOR OF ARTS IN ISLAMIC STUDIES 20.991 26.818 25.639
2 1485630 UMMA UNIVERSITY BACHELOR OF ARTS IN ISLAMIC STUDIES 20.991 25.058 26.325 25.328 23
BACHELOR OF ARTS (PUBLIC ADMINISTRATION)
1 1118159 UNIVERSITY OF KABIANGA BACHELOR OF ARTS (PUBLIC ADMINISTRATION) 27.717 24.448 25.212 25.977 23
2 1170159 MACHAKOS UNIVERSITY BACHELOR OF ARTS (PUBLIC ADMINISTRATION) 27.734 26.056 25.028

Butere technical and vocational college Courses, Requirements, Contacts, Location, How to apply, fees and website

Butere TTI is located in Bushieni, Butere, Kakamega county, Kenya.

Technical and Vocational Education Training, TVET, institutions offer various certificate, diploma and craftsmanship training to students in Kenya. The beauty with TVET training institutions is that they offer flexible entry and fee requirements to students wishing to study in these institutes. TVETs are registered, accredited and regulated by the Technical and Vocational Education and Training Authority (TVETA); which is a public corporate agency established under the Technical and Vocational Education and Training (TVET) Act No. 29 of 2013 to regulate and coordinate training in the country through licensing, registration and accreditation of programs, institutions and trainers. Section 7 of the Act, 2013 gives the powers and functions of the Authority to regulate and coordinate training; inspect, license and register and accredit training institutions; accredit and inspect programmes and courses; promote access and relevance of training programmes; determine the national technical and vocational training objectives; assure quality and relevance in programmes of training among other functions.

How to get placement

To get a place at a TVET institution, one has to apply via the Kenya Universities and Colleges Central Placement Service (KUCCPS). The available programmes, institutions, minimum entry requirements and the application procedure are always available on the KUCCPS Student’s Portal accessible through the Placement Service website www.kuccps.ac.ke. KUCCPS sets an application window within which the prospective students can submit their applications. The Entry requirement for all Diploma Courses is a C- and above; D (plain) and above for Certificate while other course categories are open.

Funding

The good news for students joining TVETs is that they can now apply for funding from the Higher Education Loans Board, HELB. They can now get Loans and Bursaries from HELB for their fees payment and upkeep.

Butere TTI Courses;

DURATION (TERMS) COURSE TITLE MINIMUM REQUIREMENTS ADMISSION TIME EXAM BODY
 

BUSINESS DEPARTMENT COURSES

 

Certificate and artisan courses

6 Computerized secretarial studies (Single and group) D and above in KCSE Jan, May, Sep KNEC
6 Computerized secretarial studies (Modular) D and above in KCSE Jan, May, Sep KNEC
6 Social work and community development (modular) D and above in KCSE Jan, May, Sep KNEC
6 Human Resource Management (Modular) D and above in KCSE Jan, May, Sep KNEC
6 Information studies D and above in KCSE Jan, May, Sep KNEC
6 Business Management D and above in KCSE Jan, May, Sep KNEC
6 Supply chain management D and above in KCSE Jan, May, Sep KNEC
6 Accounting technicians C- and above in KCSE Jan, May, Sep KNEC
6 Certified Public Accountant (CPA) 1-6 C+ in KCSE with C+ in Maths and English Jan, May, Sep KNEC
6 Artisan in store keeping Management D- in KCSE or a KCPE certificate Jan, May, Sep KNEC
 

Diploma courses;

9 Accountancy C- and above in KCSE Jan, May, Sep KNEC
9 Business Management (modular) C- and above in KCSE Jan, May, Sep KNEC
9 Information studies C- and above in KCSE Jan, May, Sep KNEC
9 Human resource management (modular) C- and above in KCSE Jan, May, Sep KNEC
9 Social work and community development (modular) C- and above in KCSE Jan, May, Sep KNEC
9 Supply chain management (modular) C- and above in KCSE Jan, May, Sep KNEC
 

ENGINEERING DEPARTMENT COURSES

 

Artisan courses

6 Electrical Installation (power) D- or a minimum of KCPE Certificate Jan, May, Sep KNEC
6 Mechanical engineering (general fitter) D- or a minimum of KCPE Certificate Jan, May, Sep KNEC
6 Motor vehicle mechanics D- or a minimum of KCPE Certificate Jan, May, Sep KNEC
6 Carpentry and joinery D- or a minimum of KCPE Certificate Jan, May, Sep KNEC
6 Masonry D- or a minimum of KCPE Certificate Jan, May, Sep KNEC
6 Plumbing D- or a minimum of KCPE Certificate Jan, May, Sep KNEC
 

Certificate courses;

6 Automotive engineering (modular) D plain and above in KCSE Jan, May, Sep KNEC
6 Building technology (modular) D plain in KCSE Jan, May, Sep KNEC
6 Electrical and electronics (power option) D plain and above in KCSE Jan, May, Sep KNEC
6 Plumbing D plain and above in KCSE Jan, May, Sep KNEC
6 Masonry D plain and above in KCSE Jan, May, Sep KNEC
 

Diploma courses;

9 Automotive engineering (modular) C- and above in KCSE Jan, May, Sep KNEC
9 Building technology (modular) C- and above in KCSE Jan, May, Sep KNEC
9 Electrical and electronics (modular) C- and above in KCSE Jan, May, Sep KNEC
 

INFORMATION COMMUNICATION TECHNOLOGY (ICT) DEPARTMENT COURSES

 

Certificate courses;

6 ICT (modular) D plain in KCSE and above Jan, May, Sep KNEC
8 weeks Computer packages KCPE certificate Jan, May, Sep Internal
 

Diploma courses;

9 ICT (modular) C- and above in KCSE Jan, May, Sep KNEC
2 terms per level ICT Technician (ICTT) C- and above in KCSE Jan, May, Sep KASNEB
9 IT C- and above in KCSE Jan, May, Sep KNEC
 

AGRICULTURAL DEPARTMENT COURSES

9 Diploma in Enterpreneurial agriculture (modular) C- and above in KCSE Jan, May, Sep KNEC
9 Diploma in General agriculture (modular) C- and above in KCSE Jan, May, Sep KNEC
6 Certificate in general agriculture (modular) D plain and above in KCSE Jan, May, Sep KNEC
6 Artisan in General agriculture (modular) D- in KCSE or KCPE certificate Jan, May, Sep KNEC
6 Agri- business level 1 and 2 D- in KCSE or KCPE certificate Jan, May, Sep NVCET
 

INSTITUTIONAL MANAGEMENT DEPARTMENT COURSES

 

Artisan courses;

6 Food and beverage (production, sales and services) D- in KCSE or KCPE certificate Jan, May, Sep KNEC
6 Garment making D- in KCSE or KCPE certificate Jan, May, Sep KNEC
6 Hairdressing and beauty therapy D- in KCSE or KCPE certificate Jan, May, Sep KNEC
 

Certificate courses;

6 Food and beverage (production, sales and services) modular D plain and above in KCSE Jan, May, Sep KNEC
6 Fashion design and garment making (modular) D plain and above in KCSE Jan, May, Sep KNEC
 

Diploma courses;

9 Food and beverage (production, sales and services) modular C- and above in KCSE Jan, May, Sep KNEC
9 Fashion design and garment making (modular) C- and above in KCSE Jan, May, Sep KNEC
         

 

Butere TTI Contacts;

Physical location Bushieni, Butere, Kakamega county, Kenya.
Postal address P.O. Box 90- 50101, Butere, Kenya.
Phone number 0727861270 or 0720877456
Email address info@buteretti.ac.ke
Website www.buteretti.ac.ke

 

HOW TO APPLY FOR TVET BURSARIES FROM HELB

Students pursuing Diploma and Certificate courses in Public universities, university colleges, public national polytechnics and Institutes of Technology and Technical Training institutes country-wide are eligible for this loan and bursary from HELB. Orphans, single parent students and others who come from poor backgrounds will be given priority for the loans and or bursaries.

Required Documents

  1. Applicants should access and fill the relevant TVET Loan & Bursary Application Form (TLAF) at the HELB website.
  2. Print TWO copies of the duly filled Loan Application Form.
  3. Have the TVET Loan Application Form signed and stamped by the Dean of Students/Financial Aid Officers.
  4. Retain one copy of the duly filled TLAF (Mandatory).
  5. Drop the TLAF personally at the HELB students Service Centre on the Mezannine One, Anniversary Towers or any of the SELECT Huduma Centers nearest to you.

TVET Institution Application

The TVET Authority accredits institutions and approves managers of institutions and new programmes.

Application Process

  1. Undertake a business name search from the Registrar of companies via Ecitizen
  2. Obtain a “letter of no objection” on suitability of the name from TVETA

In order to obtain the letter of no objection, present;

  • Reserved business name search
  • Invoice for the name search
  • Copy of KRA Pin for the Director(s)
  • Copy of ID for the Director(s)
  • Dully filled and signed BN2 form (Click here to Download)

3. Register the Business name with the office of the Registrar of Companies
4. Download the TVETA application Forms for accreditation of institution, manager, Trainer, approval of programs, foreign institution and checklist here.
5. Submit complete application documents to TVETA offices located at Utalii House 8th Floor.
6. An accreditation officer will check the documents and compute the amount to be paid. (TVETA Gazetted Fees)
7. You will then be required to pay the amount through MPESA or TVETA bank account below.

Payment process

MPESA Payment TVETA Bank Account
1. Go to the MPESA menu,
2. Select payment services
3. Choose Pay Bill option
4. Enter 894135 as the business number
5. Enter your full name as the account number
6. Enter the amount
7. Enter your pin and press Ok
A/C Name: Technical and Vocational Education and Training Authority
A/C No.: 1212502450
Bank: Kenya Commercial Bank
Branch: Kipande House

Acknowledgement
After making payment the applicant will complete a registration form in duplicate as evidence of having submitted their application. An acknowledgement letter will then be sent to the applicant.

Inspection and Assessment
1.The institution will be scheduled for inspection and a Team of assessors will visit and inspect the institution for compliance with set standards. Download the assessment tool here
2.The assessors will prepare an inspection report which will be presented to TVETA Board

 

Registration and Licensing
1. Resolution of the Board based on evaluation of the inspection report shall be;
i. Approve Registration and Licensing of the institution
ii. Reject the application
iii. Request the Institution to improve within a period of six months
2. The applicant is notified on results of the TVETA Board resolution within 3 months from the date of submission of a fully compliant application documents
3. TVETA will issue training License to qualified institutions and maintain a register of the institutions and programs approved.

Note
TVETA will maintain a register of;

i. Registered and licensed institutions
ii. Ongoing registrations
iii. Institutions recommended for improvement

At this point, the accreditation process is complete, and an institution will be issued with a registration certificate and training license.

Important news. Just for you, click on the links below;

Also read:

 

Ministry of Interior to hire 9,000 data entry and verification clerks across all the Sub counties to digitize 30,059,474 records; Requirements

The Ministry of Interior and Coordination of National Government is set to hire 9,000 data entry and verification clerks countrywide. The clerks will assist the Ministry to digitize its records.

Here is the circular sent to all Subcounty registrars, with complete information;

‘This is in regard to a circular Ref. No. CR/ADM/COM/091/182, where you were required to submit the number of digitized records and office space availability.
The undigitized records were compiled as per the sub counties and the total number of undigitized records are 30,059,474.00.

In this regard the Department has planned for digitization of all record which will be done in all the 112 sub-counties from 15th July to 15th August, 2019.

For the exercise to be successful we require to engage 9,000 clerks across the country. The number of clerks to be engaged was calculated based on the number of days i.e. 30 days and that each data entry clerk is expected to key in 150 records per day and verification clerk 450 records per day.

Therefore, you are required to recruit clerks in your sub county as per the attached list and identify the space within the DCC compound to accommodate the clerks for 30 days if CRS office in the sub county cannot accommodate the clerks you have been allocated.

The qualifications of clerks are as follows:
1). Must have a KCSE Certificate.
2). Having a Certificate in computer application.
3). Competency in Data Entry – A data entry clerk is expected to key in a minimum of 150 Records and a verification clerk to verify a minimum of 450 record per day.
4)./Must have a laptop – Clerks to be engaged/must come with their/Laptops.
5). Must be available during the entire period of Digitization.

A list of the recruited clerks should be sent to ict@crd.go.ke and a copy to crdmailreg@gmail.com.

You are also reminded to ensure that your records are scanned up to date as you have been trained and supplied with high speed scanners.

Number of required clerks per Subcounty

See the number of required clerks per Subcounty, below;

Read also;

Chemistry Form 1, 2, 3 & 4 Free Latest Notes (Well arranged for all Topics)

Chemistry Form 1, 2, 3 & 4 Free Latest Notes (Well arranged for all Topics)

FORM 1 CHEMISTRY.doc
FORM 2.doc
FORM 4.doc
FORM 33.doc
PRACTICALS.doc

Chemistry Quick Revision

Acids, BAIS AND SALTS Q.doc
Acids,Bases & Salts Ans.doc
Air and combustion ANS.doc
Air and combustion Q.doc
Carbon and its compounds ANS.doc
Carbon and its compounds Q.doc
Chemical families ANS.doc
Chemical families Q.doc
Chlorine and its compounds ANS.doc
Chlorine and its compounds Q.doc
Effect of an electric current on substances ANS.doc
Effect of an electric current on substances Q.doc
Electrochemistry ANS.doc
Electrochemistry Q.doc
Energy changes in chemical and physical processes ANS.doc
Energy changes in chemical and physical processes Q.doc
Gas laws ANS.doc
Gas laws Q.doc
Introduction to chemistry ANS.doc
Introduction to chemistry Q.doc
Metals ANS.doc
Metals Q.doc
Nitrogen and its compounds ANS.doc
Nitrogen and its compounds Q.doc
Organic chemistry 1 ANS.doc
Organic chemistry 1 Q.doc
Organic chemistry II ANS.doc
Organic chemistry II Q.doc
PRACTICALS SHEM ANS.doc
PRACTICALS SHEM Q.doc
Radioactivity ANS.doc
Radioactivity Q.doc
Salts ANS.doc
Salts Q.doc
Structure and bonding ANS.doc
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Sulphur and its compounds Q.doc
The mole ANS.doc
The mole Q.doc
WATER AND HYDROGEN ANS.doc
WATER AND HYDROGEN Q.doc

Form One Notes

Acids,Bases and Indicators.docx
Air,Oxygen and Combustion.docx
Introduction to chemistry.docx
Water and Hydrogen.docx

Form 2 Chemistry Notes

Introduction to chemistry.docx
Air,Oxygen and Combustion.docx
Atomic structure and Periodic Table.docx
Chemistry of Carbon.docx
Introduction to electrolysis.docx
Introduction to Salts.docx
Periodicity of Chemical families.docx
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Form 3 Chemistry Notes

Chemistry of Sulphur.docx
Chemistry of Carbon.docx
Chemistry of Chlorine.docx
Organic Chemistry 1&2.docx
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Form 4 Chemistry Notes

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New TSC Salary Scales for Principal and Deputy Principal 1 in the 2023/2024 CBA

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TSC: IMPLEMENTATION OF PHASE 1 OF THE THIRD REMUNERATION CYCLE FOR TEACHERS

  1. Introduction

On 28th August, 2023, the Teachers Service Commission signed an addendum Agreement to the 2021-2025 Collective Bargaining Agreements (CBA) with the Kenya National Union of Teachers (KNUT), Kenya Union of Post Primary Education Teachers (KUPPET) and Kenya Union of Special Needs Education Teachers (KUSNET).

The agreement has reviewed the remuneration payable to teachers which will be implemented in two (2) phases with effect from 1st July 2023. The second phase will be implemented on 1st July 2024 for the teachers who will be in service at the material time.

2.   Application

This Circular shall apply to all teachers employed by the Commission and are in service as at 1st July, 2023.

3.   Incremental Dates

Teachers converting into the new salary scales will retain their current incremental dates. However, where the incremental date falls on 1st July, 2023 teachers will be granted their annual increment on the existing salary scales then convert to the new salary points with effect from the same date.

4.   Annual Salary Increment

Annual salary increment for all teachers will continue to apply as provided for in the Code of Regulations for Teachers (2015).

5.   Grading & Salary Structure

The Grading structure and designations will continue to apply as set out in Table 1 while the new salary structure and Conversion Tables after the review are as set out in Tables 2-12 attached to this Circular.

6.   Allowances

House allowance rates are categorized in four (4) clusters namely:

  1. Cluster 1: Nairobi City
  2. Cluster 2: Mombasa, Kisumu and Nakuru Cities, Nyeri, Eldoret, Thika, Kisii, Malindi and Kitale
  3. Cluster 3: Other former
  4. Cluster 4: All other

The House allowance rates for Clusters 1, 2 and 3 have been retained. However, Cluster 4 rates have been reviewed to be implemented in two phases. The first phase has been factored in the August payroll with arrears backdated to 1/7/2023. The second phase will be paid on 1/7/2024. The house allowance rates are indicated in Appendix A. All other Allowances shall continue to be paid where applicable, as set out in Appendix B.

PRINCIPALS AND DEPUTY PRINCIPAL 1 SALARY STRUCTURE AND CONVERSION TABLES

TABLE 4:

CONVERSION OF PRINCIPALS AND DEPUTY PRINCIPAL 1

GRADE D3 – T SCALE 13
BASIC SALARY AS AT 30.06.2023 BASIC SALARY W.E.F 01.07.2023
SALARY POINTS SALARY ALLOWANCE GRADE SALARY POINTS SALARY ALLOWANCE GRADE
1 104,644 D3 1 105,182 D3
2 107,873 D3 2 108,571 D3
3 111,201 D3 3 112,058 D3
4 114,632 D3 4 115,649 D3
5 118,169 D3 5 119,346 D3
6 121,815 D3 6 123,151 D3
7 125,573 D3 7 127,069 D3

English Topical Questions And Answers

ENGLISH

FUNCTIONAL WRITING SKILLS

  1. Imagine that you have completed secondary education. You have come across an advertisement in one of the daily newspaper that required clerical The email address of the Company    is uhurukazi@yahoo.com. You are interested in the job. Write one page                        curriculum vitae (C.V)                        using the e-mail address of the company

 

  1. You are the Secretary of your School’s Drama Your club is holding its second meeting of

the year to discuss the following issues:-

  • Tour to Nairobi
  • Awareness campaign
  • Strengthening of drama in the school

Two people have sent their apologies and a member from the writer’s club has also attended the

meeting. Write the minutes you could take at the meeting

  1. Imagine you are the managing directors of Alroki industries You manufacture padlocks and of late, there has been a lot of bad press concerning your products. Write an

 

internal            memorandum to your operations manger and sales and marketing manager. Advise them on            what should be done to counter the bad press and also recapture and retain your market share.

 

  1. You have finished reading the play An Enemy of the people by Henric Ibsen and you would like to recommend it to your In about 350 words, write the book

review

 

 

 

  1. You are the principal of Baraka Teachers Training College and one of your graduates Christopher Lipwoni has applied for employment as a teacher at Lirhanda boarding primary school. The head teacher of that primary school has send you an email requesting you to avail       more information about Mr. Christopher Lipwoni to enable the school decide whether to employ                                                                                                                       him or not. In the space provided below, write a sample report that you intend to email to the head           teacher. Remember to copy the report to the DEO Kakamega East District

 

 

  1. Imagine that you have been put in charge of a farewell party for your Write a recipe for the meal you would prepare for the occasion.

 

 

  1. Imagine that you are the library captain in your school. Write a memo to the class prefects asking them to ensure that students observe the library rules, especially regarding silence, prompt return            of books, appropriate dressing and observing opening and closing

 

 

  1. You are invited to give a speech on the role of the youth in fostering peace in your country by a friend You are unable to travel due to unforeseen circumstances. E-mail your speech to your friend to present it on your behalf.

 

 

  1. You are revising with your friend over the April On reaching school in May, you realize that one of your books, Top Mark English is missing. Write a fax to your friend in a

neighbouring school requesting for the book he had borrowed from you

 

  1. You have just read a novel entitled The ModernGirl by a famous You want to recommend it to a friend who has asked you to briefly tell him why you found the text interesting. Write with appropriate sub headings, a review of the text convincing your friend to read it.

 

  1. Imagine you live in Mumias, an average town in Western Kenya. The National Music Festivals are set to be held in this town for five days. Your friend who lives in Webuye

town    intends to come over.

  1. a) Give them clear directions to Nabongo cultural centre in Mumias Make your instructions

as precise (one page) and clear as possible – you could use land marks, well known

means of

transport, show distance in kilometers e.t.c.

 

 

 

  1. Imagine you are the school captain, and the CDF committee wishes to set up a project in your The principal has asked you to organize with the prefects to collect students

views on the most appropriate project. Write an internal memo to the concerned prefects.20mks)

 

 

  1. Imagine that you have done K.C.S.E exams, qualified and done some training in a professional You have seen an advertisement in “Sunday mirage” Newspaper of a position you qualify      for. You then decide to apply for it. Write your Own curriculum            vitae (C.V)

 

 

  1. Write a letter to the clerk of your local council complaining about the loud music in the bars

 

where you live. Indicate how residents spend sleepless nights due to the loud music, and what you think  should be done

 

  1. You have been selected to deliver a speech on Parent’s day on behalf of other students. Apart

 

from teachers, parents and students, there are several guests present as well as members of

Board of Governors. You are expected to highlight the challenges facing students population in

the school. Write the speech you would deliver.                                                  (20 mks)

 

 

 

  1. An Italian friend who had come to visit you left for his country a few weeks ago. He writes to inform you of his safe arrival and requests you for a recipe that would help him prepare ugali for his two Write him through this address; Mckay@yahoo.com

 

 

  1. The lions football team has won the just completed world cup You are the coach. Write a memo congratulating them and informing them on when/how to collect their tokens. Remember to have copies to the minister of sports.

(20mks)

 

 

 

A – IMAGINATIVE

 

 

 

  1. Either

 

  1. Write a composition ending with the words: The events of the previous day left me

 

challenged to begin a new life

 

Or

 

  1. Write a composition entitled “Love conquers all”

 

  1. Either

 

  • Write a composition to illustrate the saying “Do not count your chicks before they are hatched”

Or

 

  • Write a story ending; “Since then my brother and I have been good friends”

 

  1. IMAGINATIVE COMPOSITION (Compulsory)

 

Either

 

  1. Write a composition beginning “Everybody was very excited, little did we know that at that moment………….

Or

 

  1. Write a composition to illustrate the saying “A bird in hand is worth two in the ”

 

 

 

 

  1. Either

 

  1. Write a story ending with the following sentence: “……..thank you it was only a ”

 

 

 

 

 

with

Or

 

  1. Write a composition to illustrate the saying: “A journey of one thousand miles begins

 

 

one step.”

 

 

  1. Either

 

  • Write a composition ending:

 

…………….from that day, when ever I see him my heart is filled with bitterness.

or

 

  • Write a story to illustrate the proverb: ‘ Once bitten twice ’

 

  1. Either

 

  1. Write a story beginning:

 

He steadily walked towards me with a broad, warm smile, but as we shook hands, I realized he was avoiding eye contact…………….

Or

 

  1. Write a composition to illustrate the saying:

 

“Those who live in glass houses should not throw stones.”

 

 

 

 

 

  1. Imaginative Composition (compulsory)

 

Either;

 

  • Write a story to end with the following sentence:-

 

…………………If I had known, I would have thought twice before making that statement.

 

Or;

 

  • Write a story to illustrate the following saying:- You reap what you
  1. Either

 

  • Write an essay to illustrate the saying: “The early bird catches the worm”.

 

Or

 

  • Write a story beginning: There was an air of ..
  1. Either

 

  • Write a composition ending:

 

…………….from that day, when ever I see him my heart is filled with bitterness.

or

 

  • Write a story to illustrate the proverb: ‘ Once bitten twice ’

 

 

  1. Either

 

  1. Writeastoryending

 

I realized that I would never have a second chance in life

 

Or

 

  1. Write a story to illustrate the following saying “A tortoise may be slow but he seldom falls”

 

  1. Either

 

  1. Write a story beginning with

 

“It looked quite easy at first………………….. ”

 

Or

 

  1. Write a story to illustrate the proverb; Too many cooks spoil the broth

 

 

 

  1. Either

 

  1. Write a story that illustrate the saying:-a bird in hand is worth two in the bush

 

Or

 

  1. Write a composition beginning with the sentence:-from the outset one could see that a lot

was a waiting us.

 

  1. Either

 

  • Write a composition beginning with the following sentence: ‘John could not stand up by himself that particular morning’

Or

 

  • Write a composition on the measures that have been taken in your country to preserve forests

 

 

  1. Either,

 

  1. Write a composition with the following ending;

 

………………that experience taught me never to wish to be somebody else.

(20mks)

 

Or:

 

  1. Write a story to illustrate the saying “You cannot climb the ladder of success with your hands in the ” (20mks)

 

  1. Either

 

  • Write a composition ending “The events of that day will remain printed in my mind for ”

Or

 

  • Write a composition supporting the statement “Charity begins at ”

 

  1. Either

 

  • Write a composition showing that the strong do not always

 

Or

 

  • Write a story ending with: I wish I had known

 

 

  1. Either

 

  1. Write a story illustrating the saying, ‘Better to have tried and failed than never to have tried at all’

Or

 

  1. Write a story with the following beginning:

 

This was no ordinary day for a child orphaned by HIV and AIDS. Never before had the future looked…………..

 

 

1.

 

THE HARE  

 

The hare was always laughing at the tortoise because he walked so slowly. “Really I don’t know why you bother to go at all,” she sneered. ‘By the time you get there it will all be over-whatever it is.’

The tortoise laughed. “I may be slow.’ He said, ‘but I bet I can get to the end of the field before you can. If you want to race, ill prove it to you.’

Expecting an easy victory the hare agreed and she bounced off as fast as she could go. The tortoise plodded steadily after her.

 

Now it was in the middle of a very hot sunny day and before long, the hare started to feel a little drowsy. I think ill just take a short nap under this hedge. ‘She said to herself.’ Even if the tortoise passed by ill catch him up in a flash. The hare lay down in the shade and was soon fast a sleep. The tortoise plodded on under the midday sun. Much later, the hare awoke. It was later than she had intended but she looked round confidently ‘No sign of old tortoise, I see, even if I did have rather more than forty winks.’

Away she went, running through the short grass and the growing corn, leaping ditches and brambles with ease. In a very short time she turned the last corner and paused for a moment to look at the place where the rope was to end. There, not a yard from the finishing line was the tortoise, plodding steadily on. One foot after another, nearer and nearer to the end of the race.

With a great bounce the hare streaked forward. It was too late. Though she threw herself panting over the line , the tortoise was there before her.

‘Now do you believe me?’ Asked the tortoise. But the hare was too out of breath to reply.

 

 

 

 

  1. Classify the above narrative

 

  1. Why did the hare always laugh at tortoise?

 

  • Why did the hare feel drowsy?

 

 

  1. What made it possible for hare to lose the race?

 

  1. Try to picture yourself as the story teller charged with the responsibility of narrating this

 

particular story. What story telling devises would you employ?

 

  1. Why did the tortoise laugh at Hare’s comment?

 

 

  • Describe how tortoise’s own words “…. I may be slow but I bet I can get to the end of the

 

fields before you can…..”eventually proved to be true.

 

  • Mention any two moral lessons you can learn from this story

 

 

  1. POETRY

 

 CRAZY PETER PRATTLES

 

 

 

So what is the mountain deal about the minister’s ailing son that he makes boiling news?

 

How come it was not whispered

 

when Tina’s hospital bed crawled with maggots

 

and her eyes              pus

 

because the doctors lacked gloves?

 

 

What about Kasajja’s only child

 

who died because the man with the key to the oxygen room was on leave?

 

I have seen queues

 

 

of

 

babies with faint in line

mothers clinging to

 

skins

 

and the lioness of a nurse commanding tersely

“Get up or leave the line’

 

 

Didn’t I hear it rumoured that the man with the white mane and black robes

whose mouth stores the justice of the land ushered a rape case out of court

because the seven-year-old failed to testify?

 

Anyway, I only remember these things when I drink,

they are indeed tipsy explosion

 

 

(CrazyPeterPrattles’by Susan Nalugwa Kiguli in EchoesAcrosstheValley: Ed. Arthur

  1. Luvai and Kwamchetsi Makokha)

 

 

  • What problems are highlighted in the poem about the state of health care?

 

  • What is the significance of the rhetorical question in the first stanza?

 

  • Pick out any two images in this poem and explain their significance

 

  • (i) Identify the problem that the fifth stanza deals with

 

(ii) How does this connect with the problems in the previous stanzas?

 

  • Explain the meaning of the following words as they are used in the poem

 

 

  • Oozed ….

 

(ii) Emaciated………………..

 

(iii) Translucent ..

 

  • What is the significance of the last stanza?

 

 

 

 

 

 

 

 

I MET A THIEF

 

 

 

On the beach, on the coast,

 

Under the idle, whispers coconut towers, Before the growling, foaming, waves,

I met a thief, who guessed I had An innocent heart for her to steal.

 

She took my hand and led me under,

 

The intimate cashew boughs which shaded The downy grass and peeping weeds

She jumped and plucked the nuts for me to suck: She sang and laughed and pressed close

 

I gazed; her hair was like the wool of a mountain sheep, Her eyes, a pair of brown –black beans floating in milk.

Juicy and round as plantain shoots

 

Her legs, arms and neck:

 

And like wine-gourds her pillowy breasts:

 

Her throat uttered fresh banana juice:

 

Matching her face-smooth and banana-ripe.

 

 

I touched-but long I even tasted,

 

My heart had flowed from me into her beast:

 

And then she went-high and south-

 

And left my carcass roasting in thee

 

 

  1. Who is the persona?

 

  1. What is the relevance of the title?

 

  1. Paraphrase the last stanza

 

  1. Identify and explain the significance of the three stylist devices employed in the poem

 

  1. Of what race is the ‘thief’ in the poem?

 

  1. Explain the meaning of the line ‘an innocent heart for her to steal’

 

  1. Identify one economic activity portrayed in the poem

 

 

 

4.

 

THE PROSTITUTE

 

There I see her coming With borrowed steps Like a coward ghost

Out of grass covered graveyard

 

She comes Bearing no more

That attractive dames Cover like soft babes

 

These

 

She has exposed to bitter weather and lusty eyes.

 

There I see her coming like a nestles bird

that enters any nest for a transient stay at times

finding snakes or hostile hawks

There I see her coming like a black jack

a poisonous pest

 

that infects the city’s plantation diseasing the young

and old plant

 

 

There I see her

 

coiling herself around tourists and bosses like a parasitic climbing plant

 

 

 

There I see her coming from the back door like a forged coin

that assumes the high value yet always hounded by spies

 

I stand to see her

 

when the forged coin is found when the immigration birds are back in their nests

or when the dog

 

that it constantly feeds on is washed with DDT

or when the dog is dead on a tarmac road

and when the stems are cut in the dry windy season

 

  1. Name FOUR things the person referred to as ‘her’ has been likened

 

  1. What is the main theme of the poem? Explain with suitable examples

 

  1. What is the attitude of the poet towards the subject of the poem? Illustrate using words or

 

phrase from the poem?

 

 

  1. Identify three stylistic devices used in the poem and show their effectiveness in bringing out

the poet’s message.

 

 

(e) Explain the meaning of the last stanza – what mood does it express?

 

 

 

 

 

 

 

5.

 

 

There lived once a wicked chief. Nobody liked him, because of his wickedness. He was wicked to old men and women. By pretending to be kind he tried to be popular to young men who lived in that country. When the chief won over young men, they all liked him.

 

One day, the chief called all the young men and told them, “My friends, don’t you see?” They asked, “What?” you should kill all of them. Everybody should kill his father.”

Ah: (that they should kill their fathers). As a result, everybody whose father was old brought him to be killed. This one went and brought him to be killed. This one went and brought him to be killed, the other went brought his father to be killed. They killed all the old men, leaving one only.

He was a father of a man who said no. “Why should the chief kill all old men and why would I send my father to be killed?” He got down and went to dig a large hole and concealed it nicely. He sent his father there, where he had dug. He fetched wood and put it across and coved it with soil, making a small hole for air to pass through. At that time, they had finished to kill all the old men.

 

When the chief finished executing them, he then called all the young men. “My friends we have now finished killing all our old men. This is a cow I am giving to you. I am so happy we have got rid of these old men, so go and kill the cow. When you have killed the cow, cut the best part of its meat and bring it to me. If you don’t bring it, you yourself are not safe.”(That is all right) eh;

The young men rushed out and slaughtered the cow, which is the best part of the meat of a cow? They were worried

They went and cut the liver and sent it to him. He asked whether or not that was the best part of the meat. They answered yes. They added part of the bile. He said that wasn’t the best part of the meat and they should go and find it quickly. The people became more worried.

Every night the young man secretly took food to his father. One day he took food to his father, who asked about the news of the town. He said, “My father, now we are suffering. When we killed all the old men, the chief gave us a cow to go and kill. When we killed the cow, he said we must both find the sweetest and the best part of the meat and bring to him, that if we do not bring them, we are not safe ourselves. This is what is worrying us.” The old man laughed, but asked him if he knew the sweetest part of the meat. He said no. He again asked if he did not know the bitterest part. He said no. “Then the sweetest and the bitterest is the tongue. When you go, cut the tongue and sent it to him and say that is the sweetest part of the meat and the bitterest.”

The man rushed home while all the people sat down, undecided about what to do. If something had not happened they might have thrown the whole meat away and run away. When the boy arrived he said, “My friends take the tongue of the cow in.” they cut the tongue for him, and he took it to the chief’s palace.

He went and threw it down and said, “Chief, see the sweetest part of the meat and the bitterest part also.”

The chief sat down quietly and finally said, “You did not kill your father. Speak the truth. You have not killed your father.”

He said, “It is the truth, I didn’t kill him. When all the other men were killing their own fathers I went and hid mine.”

He said, “You are the son of a wise old man. The sweetest and the bitterest part of a meat is the tongue. As for that all these young men are fools. Why should somebody send his father to be killed? But if you want the sweetest part of the meat, find the tongue, were it not for your tongue, you would not have an enemy: it is also because of your tongue that you will not have a friend.”

 

  1. Classify the above narrative

 

  1. State any two characteristics of oral narratives present in the narrative above

 

  1. Identify and discuss any two characteristics traits of the chief and any one character of the young man (who didn’t kill the father)

 

  1. Explain any moral lesson that can be learned from this narrative

 

  1. Give one economic activity practices by the community from which this narrative was taken
  2. Identify any two styles in the oral narrative

 

  1. Why do you think the chief wanted all the old men to be killed?

 

 

 

  1. Read

 

Would you know my name if I saw you in heaven? Would it be the same if I saw you in heaven?

I must be strong and carry on, cause I know I don’t belong here in heaven.

 

 

Would you hold my hand if I saw you in heaven? Would you help me stand if I saw you in heaven?

I’ll find my way through night and day, cause I know I can’t just stay here in heaven

 

 

Time can bring you down, time can bend your knees

 

Time can break the heart; have you ‘begging’ “please” ‘begging’ “please” Beyond the door there’s peace, I’m sure

And I know there will be no more tears in heaven. Would you know my name if I saw you in heaven? Would you be the same if I saw you in heaven?

 

I must be strong and carry on, cause I know I don’t belong here in heaven. ‘Cause I know I don’t belong here in heaven.

 

  1. What is the subject matter of this poem? Illustrate your answer

 

  1. Identify and illustrate the feature of style evident in stanza three

 

  1. Give and illustrate two examples of the persona’s statements to illustrate his attitude of admiration

 

  1. What is the implication of rhetorical questions beings set in conditional tenses?

 

 

  1. What is the personas imagination of life in heaven?
  2. In note form, give the main item of the last stanza

 

 

  1. Explainthemeaningofthefollowingphrasesasusedinthepoem

 

  1. Hold my hand…… –

 

  1. Break the heart……

 

  • No more tears………

 

 

 

 

 

7.

*UGU*You see that Benz sitting at the rich’s end?

 

Ha! That Motoka is Motoka.

 

It belongs to the minister for fairness Who yesterday was loaded with doctorate

At Makerere with whisky and I don’t know what Plus I hear the literate thighs of an undergraduate.

 

You see those market women gaping their mouths? The glory of its inside has robbed them of words

I tell you the feathery seats the gold steering The TV the radio station the gear!

He can converse with all the world presidents While driving in the back seat with his darly Between his legs without the driver seeing a thing! Ha! Ha! Ha!

 

Look at the driver chasing the children away They want to see the pistol in the door pocket

Or the button that lets out bullets from the machine Through the eyes of the car – Sshhhhhhhhh

Lets not talk about it.

 

 

But I tell you that Motoka can run

 

It sails like a lijato, speeds like a swallow And doesn’t know anyone stupid on its way The other day I heard

But look at its behind, that mother of twins! A-ah That Motoka is Motoka.

 

You just wait, I’ll tell you more But let me first sell my tomatoes

(ByTHEOLUZUKA)

 

 

(a)        Who is the persona?

 

 

  1. Briefly explain what the poem is all

 

  1. Identify any two stylistic devices used in the

 

  1. Explain the character of the market women as portrayed in the

 

 

  1. Explain the meaning of the following lines as used in the

 

 

  1. Ha! That Motoka is

 

 

 

 

 

 

 

the

  1. The glory of its inside has robbed them of the

 

  • But look at its behind, that mother of *UGU*

 

  1. Describethetoneofthepoemandcommentonthepersona’sattitudetowards

 

 

minister forfairness.

 

 

  1. Identify the economic activity of the people portrayed in this

 

 

 

 

 

8.

 

AFTER A WAR

 

The outcome? Conflicting rumours As to what faction murdered

The one man who, had he survived Might have ruled us without corruption Not that it matters now:

We’re busy collecting the dead

 

Counting them, hard though it is To be sure what side they were on

What’s left of their bodies and faces Tells of no need but for burial

And mutilations was practiced By right, left and centre alike As for the children and women Who knows what they wanted Apart from the usual things?

Food is scarce now, and men are scarce Whole villages burnt to the ground

New cities in disrepair

 

The war is over, somebody must have won Somebody will have won. When peace is declared

 

  • According to the poem, what are the consequences of war?

 

 

  • What techniques has the poet employed and what are their effects?

 

 

  • What is the poet’s attitude towards war?

 

 

  • Explainthemeaningofthefollowinglines:-

 

  • Food is scarce now, men are scarce*KSW*

 

  • Whole villages burnt to the ground

 

  • From the poem, why would you say that war is a no win situation?

 

  • What’s the mood of the poem?

 

 

 

 

 

9.

 

Long ago, man tamed only the dog. Before he started taming any other animal, it was said that the donkey could also be tamed. This story came from one hunter.

One day while hunting, this hunter killed a large animal, which was too heavy for him to carry along. So, as he wondered how to carry his kill he saw a donkey pass nearby and an idea came to his mind. “Why not place this carcass on the donkey so that it can help me?” he wondered. He did not know what would happen if he tried this because the donkey was also a wild animal. Nevertheless he decided to try.

So he followed the donkey and luring it with sweet words and grass, the donkey allowed him to place his load on its back without resistance. He then led the way until they arrived home. After unloading the donkey, he gave it more grass and some water. It ate and drunk and appeared happy. From that day, the donkey never left the hunter’s homestead; and he gave the donkey food and drink daily. The donkeys multiplied and there were many donkeys in this homestead, all helping the hunter to carry his loads. Soon, the story went round that somebody had tamed a donkey, which he was using as a beast of burden. Villagers came to see for themselves and they were impressed with the way the hunter’s donkeys were working. Having satisfied their curiosity, they also went out into the wild to look for donkeys to tame. The donkey became a famous beast of burden in the whole village and beyond, carrying all the heavy loads that men and women could not even lift with assistance.

As all this was happening, the donkeys which were left in the wild did not know what was going on. They would only see their friends go away with men and women never to return. They came to understand that they had been deserted only after most of their friends had been taken away. The few who were left started to hide deep in the woods to avoid any contact with human beings. But their efforts to hide were all in vain! Human beings had realized that donkeys were very useful animals. So they made every possible effort to catch them even from deep in the forest.

This problem disturbed the wild donkeys. Many of their kind had been captured by human beings. The rumours spreading around were that the captured ones were made to work very hard with only little food, since there was no time to graze, while those left in the wild grazed the whole day and even during the night.

Indeed, this was frightening. The rest of the donkeys decided to act quickly, lest they too be captured. They called a meeting at which they discussed what should be

 

done to stop the movement of donkeys into people’s homes. When the meeting came to a stalemate, one donkey suggested that they should seek help from Hare since he was known to be cunning and clever. All agreed to seek advice from Hare.

The next morning, the donkey representative went to Hare. Hare was only too willing to help. Therefore Hare asked him to tell all his friends to come to his compound early the next morning. They agreed. When they arrived, they found Hare with whitewash in a large bucket and a brush in his hand. They were all at a loss as to know how this whitewash was going to help them. When they enquired, Hare attempted to explain but they could not understand.

So Hare asked one of them to volunteer for a demonstration but none wanted to. Then Hare approached one old donkey and whispered in its ear saying, “Once you have been painted, you will not be a donkey any more and human beings will not take you away.” The old donkey said, “I will volunteer because if the human beings take me and put loads on my back, I will die.” So the Hare quickly started painting stripes of whitewash on this donkey. Soon, the entire body of the donkey was filled with white and grey stripes. When the other donkeys looked at the painted donkey, they admired it and some wanted to be painted. But others came to the painted donkey and it whispered something in their ears. So they rushed and crowded around Hare and although he warned them that they had to be careful with the whitewash, they did not heed his warning. They jostled, pushed, fought and even bit each other in the struggle to be the next one to be painted. It was during this struggle to be painted that one donkey toppled the bucket containing the whitewash, pouring the entire contents on the grass from where it could not be recovered. The donkeys that had been painted remained in the forest because human beings did not capture them for they looked different from the domesticated ones. The striped donkeys changed their name from donkey to Zebra. All the ones that remained unpainted after the whitewash were captured by the human beings and taken to their homes to labour for them up to this day. And there ends my story.

 

(AdaptedfromKenyaOralLiteratureNarratives,Aselection editedbyKavetsaAdagala

andWanjiku.M.Kabira.EastAfricanEducationalPublishers.)

 

 

.           (a) Classify , with reasons, this story

 

  • Identify and illustrate the following:-

 

  • One economic activity

 

  • One social

 

  • Explain the use of personification in this narrative

 

  • What was the agenda of the meeting held by the donkeys?

 

  • What is the attitude of the donkeys towards the Hare?

 

  • What were the consequences of the donkey’s struggle to be painted?

 

  • Apart from personification, what other features of oral narratives have been used in this story
  • Explain the character of the donkeys in the 2nd last paragraph
  • Explainthemeaningofthefollowingwordsandexpressionsasusedinthestory

 

  • Beast of …….

 

  • ….

 

(iii) Toppled…………………..

 

 

 

 

 

10.

 

LOVE

 

Love is a universal migraine, A bright stain on the vision Blotting out reason.

Symptoms of true love Are leanness, jealousy, Laggard dawns;

 

Are omens and nightmares- Listening for a knock.

Waiting for a sign:

 

For a touch of her fingers In a darkened room,

For a searching look

 

 

Take courage, lover!

 

Could you endure such pain At any hand but hers?

 

 

 

 

 

 

  1. Identify the persona in the poem (2 mks)
  2. What is the persona’s attitude towards love? (Explain) (3 mks)
  3. Describe the tone of the poem with evidence from it (3 mks)

 

 

  1. Identify and explain any (6 mks)

figures of speech used in the poem

 

 

  1. Describe the mood of the poem citing evidence to support your answer (3 mks)
  2. Explain the rhetorical question at the end of the poem (2 mks)
  3. Explain the meaning of each of the following expressions as used in the poem

 

 

iii)

 

 

 

 

 

 

 

11.

 

Don’t cry baby Sleep little baby

Father will nurse you Sleep baby sleep

 

Little bird flitting away to the forest so fast Tell me, little bird, have you seen her

Have you seen my crying baby’s mother?

 

 

She went to the river at early dew A pot upon her head

But down the water floats her pot And the path from the river is empty

 

Shall I take him under the palm? Where the green shade rests at noon?

Oh no, no

 

For the thorns will prick my baby Shall I take him under the giant baobab

Where the silk cotton plays with the wing?

 

Oh no, no

 

For the termite- eaten bough will break And crush my little baby

My little sleeping baby

 

The day is long and the sun grows hot So, sleep, my little baby, sleep

For mother is gone to a far, far land- Alas!

 

She is gone beyond the river.

 

 

 

 

 

 

 

 

 

 

poem

 

  1. Give four features which prove that the above oral poem is a lullaby

 

  1. Identify and illustrate the two speakers in the poem

 

  1. Why is the singer hesitant to take the baby under the shade?

 

  1. Identify and illustrate any two characteristics of oral poems evident in the above

 

 

  1. What is the singer’s attitude towards the baby?

 

  1. Comment on social organization of the people in the community where this song was

 

collected

 

 

 

 

 

 

 

 

 

14.

 

 

 

The earth does not get fat,

 

It makes an end of those who wear the head plumes, We shall die on the earth

 

The earth does not get fat. It makes an end of those who act swiftly as heroes Shall we die on the earth?

 

Listen O earth. We shall mourn because of you, Listen O earth. We shall die on the earth?

 

The earth does not get fat. It makes an end of chiefs Shall we all die on the earth?

The earth does not get fat.

 

It makes an end of the women chiefs Shall we die on earth?

 

The earth does not get fat. It makes an end of the royal women Shall we die on earth?

 

Listen O earth. We shall mourn because of you. Listen O earth. We shall die on the earth?

 

The earth does not get fat. It makes an end of the beasts.

Shall we die on the earth?

 

 

Listen you who are a sleep, who are left tightly closed in the land.

 

Listen you who are asleep, who are left tightly closed in the land. Shall we all sink into the earth?

Listen O earth, the sun is setting tightly.

 

We shall all enter into the earth

 

(Source:Akivaga.K andOdagaA.B,OralLiterature:A schoolcertificatecourse)

 

 

 

 

 

  1. Classify this song and give reasons for your classification

 

  1. What is the subject matter in this song?

 

  1. Identify and comment on two features of style that are characteristic of songs

 

  1. Describe the attitude of the singer to the subject he/she is singing about

 

 

  1. What social belief is brought out in this song?

 

 

  1. Explain the meaning of the following lines :-

 

 

  1. The earth does not get fat

 

  1. We shall all enter into the earth
  • …… who are tightly closed in the

 

 

 

 

 

 

 

I

 

I shall return, I shall return again

 

To laugh and love and watch with wonder eyes At garden noon the forest fires burn,

Wafting their blue black smoke to sapphire skies I shall return to loiter by the streams

That bathe the brown blades of bending grasses, And realize once more my thousand dreams

Of waters rushing down the mountain passes I shall return to hear the fiddle and fife

Of village dances, dear delicious tunes That stir the hidden depths of native life

Stray melodies of the dim-remembered tunes I shall return, I shall return again

To ease my mind of long, long years of pain

 

 

 

  • Explain briefly what the poem is about

(3mks)

 

 

 

(4mks)

  • In NOTE form, identify

things which the persona is longing to return to

 

 

 

  • With illustration from the poem, identify and illustrate any devices

stylistic

 

 

used in the poem                                                                                                                  (6mks)

 

 

(2mks)

 

 

 

as

 

 

 

(1mk)

  • What is the tone of the poem? Illustrate your answer

 

 

  • In what kind of environment is the persona living? Explain your answer (2mks)

 

  • What specific name is given to the poems with one stanza and fourteen lines

 

 

one above?

 

  • What is the name given to the last two lines ending in similar sound?

 

 

 

 

 

 

  1. Readthepoembelowandanswerthequestionsthatfollow:

 

 

 

They met by accident                                                    So they had to separate

 

He proposed the idea                                                     The boy remains illegitimate. She gave her consent

All the way to the alter.                                                 Last month not long ago They both took their go

The casualty was male                                                   Coincidentally by accident

 

And his pigment was pale                                              Nothing to inherit. Unlike his alleged sire

Who was black with Ire                                                 The poor boy is hardly ten And knows no next of kin

The recourse was legitimate                                           He roams the street of town.

 

He declaimed responsibility                                           Like a wind sown outcast. So they had to separate

The boy remains illegitimate.

 

 

  1. Who is the persona in this poem? (2 mks)

 

  1. What is the message in the poem? (4 mks)

 

 

  1. Comment on any (6 mks)

stylistic device used in the poem.

 

 

  1. What is the persona’s attitude towards the ”they?” (2 mks)

 

  1. Comment on the last (3 mks)

 

 

 

 

The inmates Huddled together,

Cold biting their bones,

 

Teeth chattering from the chill, The air oppressive,

The smell offensive They sit and they reflect.

 

The room self-contained,

 

At the corner the gents’ invites

 

With the nice fragrance of ammonia, And fresh human dung,

The fresh inmates sit thoughtfully.

 

 

Vermin perform a guard of honour, Saluting him with a bite here,

 

And a bite there,

 

Welcome to the world’ they seem to say.

 

 

The steel lock of the door, The walls insurmountable

And the one torching torturous bulb Stare vacantly at him.

Slowly he reflects about the consignment That gave birth to his confinement Locked in for conduct refinement

The reason they put him in the prison.

 

 

The clock ticks But too slowly

Five years will be a long time Doomed in the dungeon

In this hell of a cell.

 

 

  • What is the attitude of the speaker towards the fresh inmate? (4mks)
  • Explain the atmosphere created through description in the poem (4mks)
  • Why is the fresh ‘inmate in prison? (2mks)
  • Identify and explain any three stylistic devices in the poem (6mks)
  • Explain the mood of the new convict

 

(2mks)

 

‘Locked in for conduct refinement                                                                                                                                (2mks)

 

 

 

 

(20mks)

 

 

THE FOOLISH

 

 

MAN

 

 

My father began as a god Full of heroic tales

Of days when he was young His laws were as immutable As if brought down from Sinai

which indeed he thought they were. He fearlessly lifted me to heaven By a mere swing to his shoulder And made me a godling

By seating me astride

 

Our milk cow’s back and too, Upon the great white gobbler.

of which others went in constant fear.

 

 

Strange then how he shrank and shrank Until by my time of adolescence

He had become a foolish small old man with silly and outmoded views

of life and morality.

 

 

Stranger still

 

that as I became older

 

his faults and his intolerances scatted away into the past revealing virtues

such as honesty, generosity, integrity.

 

 

Strangest of all

 

how the deeper he recedes into the grave the more I see myself

as just one more of the little men who creep through life

no knee – high to this long-dead god.

 

(IanMudie)

 

 

 

 

 

(4mks)

 

 

(3mks)

 

 

(3mks)

 

  • Briefly comment on the theme of the poem

 

 

  • Comment on the suitability of the tittle of the poem

 

 

  • What is the attitude of the persona towards his father?

 

 

 

 

(6mks)

  • Identify and explain any

stylistic devices used in the poem

 

 

  • What do the following groups of people learn from the poem?

 

  • ……………… (ii) Children………

 

(2mks)

 

Immutable……………              Outmoded……………………

 

 

 

17 .

 

When she is the only one at the foot of the mortar-stones the hen only scratches with one paw. For she has, so she thinks, plenty of time to choose her grains for corn.

Ponda certainly was not the only girl in M’badane, but she had only to appear for the most beautiful, and far from being fastidious and difficult to please as might have been expected, she was only too anxious to find a husband, as she was afraid of growing into an old maid, for she had already turned sixteen. On their side suitors were not lacking: every single day her girl-friends’ brothers and fathers, young men and old men from other villages, sent griots and dialis bearing gifts and fine words to ask her hand in marriage.

If it had only depended on herself Ponda would certainly by now have a baby tied on her back, either good, or bad-tempered and crying. But in the matter of marriage, as in all things a girl must submit to her father’s will. It is her father who must decide whom she is to belong to: a. Prince, a rich dioula or a common badolo who sweats in the field in the sun; it is for her father to say it he wishes to bestow her on a powerful marabout or an insignificant talibe.

Now Mor, the father of Ponda had demanded neither the immense bride-price of a rich man, nor the meager possession of a badolo; still less had he thought of offering his daughter to a marabout or to a marabout’s disciple in order to enlarge his place in paradise. Mor simply told all those who come to ask for his daughter, whether for themselves, for their masters, for their sons or for their brothers:

“I will give Ponda without demanding bride-price or gifts, to the man who will kill an ox and send me the meat by the agency of a hyena; but when it arrives not a single morsel of the animal must be missing.”

That was more difficult than making the round-cared Narr-the-Moor keep a secret. It was more difficult than entrusting a calabash full of honey to a child and expect him not to even dip his little finger in. You might as well try prevent the sun from leaving his home in the morning or retiring to bed to the end of the day. You might as well forbid the thirsty sand to drink the first drop s of the first rains. Entrust meat to Bouki-the-Hyena? You might as well entrust a pot of butter to a burning fire. Entrust meat to Bouk and prevent her from touching it.

 

But how can you entrust meat; even dried meat to a hyena, and prevent her to touch it? It was an impossible task, so said the griots as they ended their way home to their masters: so said the mothers who had come on their sons’ behalf, so said the old men who had come to ask for the

beautiful Ponda for themselves.

 

A day’s walk form M’Badane lay the village of N’diour. The inhabitants of N’Diou were by no means ordinary folk’ they were, or so they believed, the only men and the only women since earliest times to have tamed the double hyenas, with whom in fact they lived in perfect peace and good understanding. It is true that the people of N’Diour did their share to maintain these good relations.

Every Friday they killed a bull which they offered to Bouki-the-Hyena and her tribe.

Of all the young men of N’Diour, Birane was the best at wrestling as well as working in

 

the fields, he was also the most handsome. When his griot brought back presents that Mor had refused, and told him the conditions which Ponda’s father had laid down, Birane said to himself:

“I shall be the one to win Ponda for my bed,” He killed an ox, dried the meat, and put it in a goatskin; the skin was enclosed in a coarse cotton bag and the whole thing placed in the middle of ‘a truss straw.

On Friday, when Boruki came with her family to partake of the offering given by the people of N’Diou Birane went to her and said, ‘My griot, who has no more sense than a babe at the breast and who is as stupid as an ox has brought the fine gifts that I sent to Ponda, the daughter of Mor of N’Badane. I am certain that if you, whose wisdom is great and whose tongue is as honey, took this simple truss of straw to N’Badane to the house of Mor you would only need to say, “Birane asks for your daughter, “for him to grant her to you”.

“I have grown old, Birane, and my back is no longer very strong, but N’Bar, the oldest of

my children, is full of vigour and he has inherited a little of my wisdom. He will go to N’Badane

for you, and I am sure that he will acquint himself well of your mission.”

 

M’Bar set off very early in the morning, the truss of straw on his back. When the dew moistened the truss of straw the pleasant Odour of the meat began to float in the air. M’bar-thehyena stopped, lifted his nose sniffed to the right, sniffed to the left, then resumed his way, a little less hurriedly it seemed. The smell grew stronger, the Hyena stopped again, bared his teeth, thrust his nose to the right, to the left, into the air, then

 

turned round and sniffed to the four winds. He resumed his journey, but now hesitating all the time, as if held back by this penetrating, insistent smell which seemed to come from all directions.

Not being able to resist it any longer, M’Bar left the track that led from N’Diour to N’Badane, made huge circling detours in the veld, ferreting to the right, ferreting to the left continually retracing his steps, and took three whole days instead of one to reach N’Badane.

N’Bar was certainly not in the best of tempers when he entered Mor’s home. He did not wear the pleasant expressions of a messenger who comes to ask a great favour. This smell of meat that impregnated all the grass and all the bushes of the veld and still impregnated the huts of N’Bedane and the courtyard of Mor’s home, had made him forget on the ‘way from N’Diour all the wisdom that Biouki had instilled into him, and stilled the gracious words that one always expects from a petitioner. M’Bar scarcely even unclenched his teeth to say: Assalamou aleyokoum!” and nobody could even hear his greeting; but as he threw down the truss of straw from his back had bent under its weight, he muttered in a voice that was more than disagreeable, ‘Bitane of N”Diour sends you this truss of staw and asks for your daughter. Under the very eyes of M’Bar the Hyena, first astonished, then indignant, then covetous Mor cut the liana ropes that bound the truss of a straw, opened it up and took out the bag of coarse cotton; from the coarse cotton bag of he took out the goat-skin and from the goatskin the pieces of dried meat.

‘Go’, ‘Mor, said to M’Bar-the-hyena, who nearly burst with rage at the sight of all that meat he had unsuspectingly earned for three days, and which was spread out, there without his being able to touch a single bit. (for the folk of N’Badane were not like the inhabitants of N’Diour, and in M’Badane hunting spears were lying all round). ‘Go,’ said Mor, ‘go and tell Birane that I give him my daughter. Tell him that he is not only the most spirited and the strongest of all the young men of N’Diour, but he is also the shrewdest.

He managed to entrust meat to you, hyena, he will be able to keep a sharp watch on his wife and outwit all tricks.’

 

 

  1. What type of oral narrative is this?

 

 

  1. State one economic activity of the community from which the story is c)         What two aspects of Birane’s character come out in this story?
    1. What moral lesson do we learn from this narrative?

 

 

  1. Identify two significant devices used in this narrative and comment on

 

their

 

effectiveness

 

  1. Identify three aspects of social life in the community from which the oral

 

narrative is set

 

 

 

 

 

  1. Readthepoembelowandanswerthequestionsthatfollow.

 

 

 

I know what the caged bird feels, alas ! When the sun is bright on the upland slopes;

When the wind stirs soft through the springing grass And the river flows like a stream of glass;

When the first bird sings and the first bud opens, And the faint perfume from its petals steals-

I know what the caged bird feels!

 

 

 

 

I know why the caged bird beats his wing Till its blood is red on the cruel bans;

For he must fly back for his perch and cling

 

When he rather would be on the branch a – swing; And a pain still throbs in the old, old scars

And they pulse again with a keener sting – I know why he beats his wing!

 

 

I know why the caged bird sings, ah me,

 

When his wing is bruised and his blossom sore, When he beats his bars and would be free;

It is not a song of joy or glee,

 

But a prayer that he sends from his heart’s deep core, But a plea, that upward to Heaven he flings –

I know why the caged bird sings !

 

 

 

 

 

Bontemps.

(AdaptedfromthepoembyPaulLawrenceDunbar      InAmericanNegropoetry,editedbyArna

 

NewYork:HillandWang,1974)

 

 

 

 

 

 

 

 

 

 

form.

  • Explain briefly what the poem is about .

 

  • What does the poet focus on in each of the three stanzas? Give your answer in note

 

 

  • How would you describe the persona’s feelings towards the caged bird?

 

 

  • What can we infer about the persona’s own experiences?

 

 

  • Identify a simile in the first stanza and explain why it is

 

 

  • Explainthemeaningofthefollowinglines:
    • “And the faint perfume from its petals steals”.

 

 

  • “And they pulse again with a keener sting “

 

 

 

 

  1. THE MAGNIFICIENT BULL

 

My bull is white like the silver fish in the river

 

White like the shimmering crane bird on the river bank White like fresh milk.

His roar is like thunder to the Turkish cannon On the steep shore.

 

My bull is dark like the rain cloud in the storm. He is like summer and winter.

Half of him is dark like the storm cloud, Half of him is light like sunshine.

 

His back shines like the morning star.

 

His brow is red like the beak of the hornbill.

 

His fore head is like a flag, calling the people from a distance, He resembles the rainbow.

 

 

 

 

 

 

like”

  1. The singer achieves rhythm in the song above through repetition of words e. “white

 

 

like e.t.c. Identification Illustration

  1. If you are to do a live performance of this song how would you make it more interesting to the audience?

 

 

 

 

(5mks)

  1. Underline the silent letter in each of the following words

 

 

  1. Rendezvous

 

  1. Eulogy

 

  • Tourism

 

  1. Condemn

 

  1. Phlegm

 

 

 

“Willy warmly welcomed Wendy and wondered why Wyatt walked wearingly while whistling.’

  1. Classify the above

 

  1. Identify and illustrate one sound pattern from the genre

 

  • State any one function of the above genre
  1. You school is participating in a debate and the motion is: “Parents should let children decide their own destiny,” How would you ensure that your argument convincing?

 

*KC*

 

 

a lady

 

  1. Imagine that you are listening to a telephone conversation between a receptionist and

 

 

whose child is very ill and she is seeking her physicians’ help. Unfortunately, Dr.

 

Kemboi is

 

not in, but the receptionist is on the line. In the blank spaces, fill in what you think the receptionist should have said to the lady.

 

 

 

 

 

2.

 

Once upon a time, there lived an old man. One day he paid a visit to his in-laws. On entering the house of his mother-in-law, he found that she had been roasting some meat, among which was a delicious looking sausage and she was not in the house. He immediately took the sausage and quickly shoved it into his quiver. And it so happened that a piece of live coal had got stuck on the sausage but the old man didn’t know. He quickly shut the quiver.

No sooner had he sat down than the owner of the house came in. They sat down to talk about the children’s health. When they had finished, it was time for the old man to return to his home. Just then, the woman noticed smoke issuing from the quiver and asked the old man; “Paker, how come the quiver is smoking?” The man answered, “Oh. It’s some naughty fire stick with a soft head that smokes whenever it comes into contact with soft wood and the arrows.” The woman kept quiet and got up to escort her guest.

When they had walked only a short distance, the fire made a hole in the quiver and the arrows fell out, tiak! together with the stolen sausage. The lady, who was walking closely behind, exclaimed: ‘See, had I not known it! Then the old man fearing that his sausage might be eaten. shouted, “Oh, my Paker, please do not eat it!”

So while the lady ran home in shame, the greedy old man continued with his journey in extreme embarrassment. They showed each other their backs and there ends my story.

 

 

  • State two things a narrator would do to draw the audience’s attention to the beginning

of

 

t he story

 

  • Describe how a narrator would perform line 4-6 of the second paragraph

 

  • Explain three ways in which the audience can indicate active listening in the

performance

 

of this narrative

 

  • Apart from using the ending formula, how else would a narrator signal to the audience

 

the ending of his story?

 

 

 

3.

 

Where is she eee Where is she ee

We want to pamper her We want to pamper her x2

 

We advise you, we advise you

 

When you get there respect your husband When he calls you, respond to his call

So that your marriage can last

 

 

Both of you may live in peace Both of you may live in peace x2

 

  • List down what is lost when the above song is written down

 

  • The above song is a translation from Kiswahili to What has been lost in the translation?

 

  • (i) Underline the stressed syllable in the correct pronunciation of the following words (Thedotsindicatesyllableboundaries)
    • pect
    • view
    • ves. ti. gate
    • so.li.date
    • cu. late
    • vi. de (noun)

 

  • Provide another word with a similar pronunciation for each of the following words

 

  • Feet
  • Alter

 

 

 

 

 

speech

 

 

 

are

  • Ale
  • Cereal
  • None
  • Ate
  • (i) Explain three things you would do if you were unexpectedly asked to give a short

 

 

During the form four farewell party

 

  • You are giving this speech without a public address How do you ensure you

 

 

heard clearly by everybody

 

 

 

 

 

4.

 

THE MAN

 

LIVED WITH THE TRIBE

 

HIS WIFE

 

 

There was a man, it is said, who lived with the ethnic group of his wife. One day he said to his wife, “We are moving away-tell your people.” So she told her people and they gave him the customary gifts and returned to him a part of his bride wealth.

Then this man who had been living with his wife’s ethnic group moved away with his            family and his wife, and after he had walked all day he set up a camp in a certain place. Then he               said to his wife, “woman, there is a matter I have to discuss with the people whom we left, and I      am going back to them. Pen the animals and wait for me.”

 

 

So he went back, and when he reached the village in the evening he sat down in the clearing by the huts, intending to eavesdrop. The people were gossiping about and someone said,                             “well, let us all give our opinion of that who stayed with our tribe for such a long time!”

 

 

“He was a good man.” said one. “By God, he was a brave man.”

“By God, he was a generous man.”

 

“By God, he looked after the animals well.” “By God, he had some knowledge of men.”

 

 

The whole village praised him, and all the time the man was listening. There was pause, and then a young girl spoke, “but I know something about him that was bad!”

“What was it?” the people asked.

 

“He didn’t go far away enough from the huts when he urinated!” at this the whole village burst in to laughter, but the eavesdropper was so angry that he stood up said to them, “well, by God, I have moved far enough away now!” to the great astonishment of the whole village.

 

 

 

 

  1. How would you performs the narrative in order to capture the audience attention

 

 

 

 

 

 

words :

 

 

 

 

 

 

 

 

 

 

in

  1. (i) In which tone would the eavesdropper say last line of the narrative

 

  1. Underline the word in which the vowel sound is different in the following sets of

 

 

  1. ship, sheep,               sleep

 

  1. Pull, pool,                 book

 

  1. Bark, park,                 buck

 

  1. Might, height, mice

 

  1. Barn, ban,                  bag

 

  • State whether the stress would fall on the first or second syllable on the word

 

 

bold by underlining:

  1. I don’t like associating with that rebel

 

  1. Waiyaki had a lot of respect for the elders

 

  1. We manage to turn the businesses

 

  1. When can you contact me?

 

  1. You can access a lot of information in

 

  1. What would you consider important in giving someone directions especially to

 

a

 

 

 

for a job?

 

place that is difficult to trace?

  1. What preparation would you do before attending an interview

 

 

 

 

 

 

 

 

 

5.

 

 ESCAPE FROM THE

 

I seek a quiet country life Without the city’s bursting strife I seek the sight of trees ablaze

Instead of streets that form amaze

 

 

 

  1. Identify two sound patterns in this poem and state their effectiveness

 

  1. i) rhyme Life                  Ablaze                          Strife                Amaze

 

  1. Which words in the poem contain dipthongs?

 

  • How could you say the first line of this poem and why?

 

 

  1. Describe the rhyme scheme of the poem above

 

 

 

rest.

Identify thewordwiththedifferentsound:-

 

  1. purse further              fury                  nurse

 

  1. three thick                theme               these

 

iii) have fame rake fate
iv) heir honest honoraria harbour
v) committee constitution command commodity

 

 

 

If freaky Fred found fifty feet of fresh fruit and fed forty feet to his friend Frank, how many feet of fresh fruit did freeky Fred find?

  1. Classify the oral item above
  2. Identify two characteristics of this genre

 

 

  • State four functions of this genre

 

 

 

 

  1. They were taught by the word of mouth

 

  1. The guest of honour asked us to lend him our ears

 

  • Politicians must now walk the talk

 

  1. Daisy has the gift of the gab

 

 

 

 

 

the

 

YouareaTVpresenterwith“DuondJokaNyanam”station.Youhavebeenassigned

 

duty               to               interviewanimportantandfamouswriterinthenameofNgugiWaThiong’o. Howwouldyou prepareyourselfforaneffectivesessionwithaviewtoproducinga

 

good                                   programme?

 

 

 

 

 

6.

 

LOW

 

Sweet and low, sweet and low, Wind of the western sea,

Low, low, breath and blow, Wind of the western sea! Over the rolling waters go,

Come from the dying moon, and blow, Blow him again to me;

While my little one, while my pretty one, sleeps.

 

 

Sleep and rest, sleep and rest, Father will come to thee soon; Rest, rest on mother’s breast; Father will come to thee soon;

Father will come to his babe n the nest, Silver sails all out of the west

Under the silver moon;

 

Sleep my little one, sleep, my pretty one, sleep.

 

 

 

  • State any two pairs of rhyming words from the above poem

 

  • Apart from rhyme, with illustrations from the poem, identify any other two techniques that have been used by the poet to create rhythm in this poem

 

 

 

 

you

 

  • If you were to classify the above poem as a song, in which category would

 

 

place it and why?

 

  • Comment on the number of syllables used in the last line of each

 

What does this tell you about the rhythm of this poem?

 

 

 

 

last

 

 

 

sound /Ù/

  • If you were to recite this poem to its target audience, how would recite the

 

 

line of the last stanza?

  • From the poem, identify any two words containing the vowel

 

 

  1. Underline the silent letters in the following words

 

 

  1. Subtle

 

  1. Comb

 

  • White

 

  1. Hymn

 

  1. Clinton

 

 

 

words (usestressmarks)

 

  1. Drug abuse is so rampant in coast province

 

  1. The alarm clock rang on time

 

 

  • Can I have your contact, please

 

  1. We were forced to desert our fertile land and now, here we are in a total desert

 

 

 

 

 

 

 

 

stated;

Juma : I am so happy! (Jumps up) we finally did it! Four powerful sweet goals! Solomon: No doubt about that victory! Chelsea…..

Collins :(interrupting) shut up your pointed beak! Its Chelsea not Chelesea! Simply

 

 

 

 

Collins,

the blues.

 

Solomon: Accept my apology. I didn’t mean to offend anyone. For your information

 

 

Man City isn’t my team. Notwithstanding, the fact remains that Manchester

 

city outran

 

and outfoxed your team. I saw the match myself.

 

Juma: Hold your peace, boy. Are you not aware of the adage that goes: he who fights the truth,

fights against God! Chelsea can beat any other team in the English premier league but

 

not

 

Manchester City: that’s the truth, period.

 

Collins : Sure? Come to think of it, have you ever stopped to wonder why all the beautiful

 

women                         in this present world and probably the one that will come, prefer to associate with Chelsea   players and fans rather than those of man city? Still wondering? Answer is obvious: Man                                                city players are not only short and ugly but also daft morons!

Juma: To be honest, you could be saying the truth as far as your captain’s snatching of

Wayne

 

bridges girl friend is concerned. However, don’t you think it’s a show case of

immorality,                  for a married man like him to engage in an extra-marital affair?

 

Catherine: Guys, let’s end the entire talk. Why can’t we talk about AFC Leopards, Sofa

 

Paka,

 

and Western Stima! Isn’t there any football being played in Kenya?

 

Solomon: True

 

Catherine: What I…..mean is, who in England talks about Western Stima? Anyway, thanks for your company! (Walks away)

 

  1. Identify and illustrate any two features demonstrated by Collins which indicate lack of courtesy while conversing with others

 

  1. From the above dialogue, identify any two features of a healthy conversation

 

  • With relevant illustrations from the above dialogue state any two features that characterize

natural speech

 

 

 

 

 

 

 

 

7.

 

“How high up has he heaved his heavy hoe?”

 

  1. Identify the genre above

 

  1. For what purpose would the above genre be used

 

  • Cite one feature of oral skills used in the above genre

 

  1. Mention two characteristics of the above genre

 

 

  1. Give another word that has the same pronunciation as the words below

 

  1. Profit

 

  1. Mete

 

  • Pull

 

  1. Dough

 

  1. Key

 

  1. Imagine that Ngugi Wa Thion’go, the author of the novel ‘The River Between’ has been invited by the English department to give a lecture on the key themes and

 

aspects

 

of style evident in the novel, in a week’s time. As one of the students of literature preparing to offer him audience, what steps would you take just

 

before and during

 

the presentation to ensure that you benefit fully from the event.

 

 

 

I stood and stared, the sky was lit The sky was stars all over it

I stood. I knew not why Without a wish, without a will I stood upon the silent hill

My eyes were blind with stars still I stared into the sky

 

  1. Show how the poet has effectively created rhythm in this poem?

 

 

 

 

 

 

lines

  1. What word would you stress in line 5 and why?

 

  • Explain two ways in which you would make the recitation of the first three

 

 

of the  poem effective

 

 

 

 

 

Hawa : Hallo, is that Thatu’s Girl’s school? Peter : Yes, what is your name?

Hawa : Hawa Mukova Peter : What do you want?

Hawa : May I speak to the head teacher?

 

Peter : He went to do shopping for his family. What did you want to tell him?

 

Hawa : Sorry it is confidential. May I speak to the deputy?

 

Peter : He is attending a pre-wedding in fact he is never in school Hawa : Oh! I will call later

Peter : It’s okay

 

  1. Identify four instances of lack of telephone conversation etiquette

 

 

  1. Write corrections using correct telephone etiquette

 

  • Underline the silent letter in the following words

 

  1. Eulogy

 

  1. Phlegm

 

 

 

  1. (a)

 

  • Site …

 

 

 

 

 

 

 

 

 

 

play

  • Owe

 

  • Rite

 

  • Road

 

  • Blew

 

  • A resource person has been invited to your school to talk on the newly introduced

 

 

AnEnemyofthePeopleby Henrick Ibsen. What five things would you do to

 

ensure you

 

benefit maximumly from this talk?

 

 

  • Usingeachofthewordsgivenbelow,constructtwosentencestobringouttwo

 

 

  1. (i) Import
  • Im

 

  • Pro

 

  • Produce

 

d)

 

THANK THE MOTHER

 

I thank thee mother Your back I wet When I leaked

like a broken gourd,

 

 

Your breast I sought like a blind bat,

On your back

 

I swung like a little vagabond but you said

‘It’s my vagabond.’

 

 

  • Who is the persona?

 

 

  • On the line ‘Like a broken ’ Which words would you stress? Why?

 

  • How is rhythm achieved in the poem?

 

 

 

 

 

 

 

(e)

 

There lived two men who were good friends. One of them was very wise

and the other very foolish. One day, they argued between themselves, and one said, “I am the wisest man in this country.” The other said, “No,! I am the wisest.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

the other.

As there was no way of measuring wisdom, the two men did not know who was wiser than the other.

One day they were discussing the ill-behaviour of their wives and one of them said, “If we want them to behave well we must beat them up. Women are like children, beat them up and they will behave well.”

The other said, “No ! if you beat your wife, she will become worse.” After arguing for a long time, they kept quiet and went home. On reaching his house, the man who was in favour of beating wives began to beat an ox-skin vigorously. When the other heard this, he thought the sound came from his friend beating his wife and he took a stick and beat his wife severely until she fell sick and later died.

When the two men met later, it was now clear who between them was wiser than

 

 

Lusweti:Nairobi:TheMacmillanPressLtd.1992)

 

 

 

 

  • Suppose you are the one narrating this story, what would you do first before narration

to

 

capture the attention of the audience?

 

  • How would you deliver the speech by the 2nd speaker? “No ! I am the ”
  • If you are listening to this story, what would you expect the story teller to do so as to make the story interesting?

 

 

 

FormOne

 

: ……………………………………………………………………………

 

: Good morning young man, how are you?

 

:

 

: Welcome to Elimu Secondary School and have a seat.

 

: Thank you, Madam.

 

:

 

: I’m Hassan Juma Masumbuko.

 

Teacher       : I have verified your documents and therefore allowed you to join the classroom next

 

door as our first Form One student this year, congratulations.

 

:

 

 

 

 

 

9.

 

THE CRUEL

 

Once upon a time, there was a man and wife who had a baby girl. Unfortunately,

the wife            died and so, the man married again. He got another girl with the second wife. The two girls     became extremely close; so close that whenever the mother sent one on an errand, the other was sure to accompany her. The mother, however, did not like the child of the deceased. She would always show her dislike by denying her certain favours. Her feelings became so bad that she decided to get rid of the girl.

To do this, she dug a hole in her bedroom on a day when the husband was absent and   covered the hole with a cow’s hide. She then called her daughter and sent her to the house of a      friend some kilometers away. As usual, the two girls wanted to go together but the woman      refused, giving the excuse that she wanted to send the other one elsewhere. After the departure of her daughter, she tailed the other girl and sent her for her snuffbox in the bedroom. Unaware of                what lay ahead, the girl eagerly rushed into the room only to fall into a hole! The mother very quickly filled the hole with soil, completely disregarding the girl’s screams for help.

When the daughter came back, she merely assumed that the absence of her dear companion was justified. After hours of waiting, she, however, became impatient and

questioned     the mother.

 

‘Where is my sister?’ she asked

 

“But she followed you. As soon as she did what I wanted, she ran after you. Now stop bothering me” the mother retorted.

Time passed and the now anxious girl went round calling out the name of the other one,   but all in vain. Alas …she cried the whole night and the next day and refused to touch any food.             The father helped in the search but to no avail.

After three days, the girl still cried and called the other one. She then heard a very weak voice    responding in song:

MaalyaMaalya MaalyaMaalya

Namwenvuniwemwaiiieemalya Ekwinzamuthikoiieemalya                             Wakwisakunthikaiieemalya                        MaalyaMaalya (Andyourmotheristhewiseoneiieemalya Shedugagraveiieemalya Forinterringmeiniieemalya)

The girl dashed towards the direction of the voice, repeated her cries and again got the             same response. She came to the conclusion that whoever was responding was definitely     underground somewhere in the house. Immediately the father came that day (before the arrival of the mother), she told him what had happened. After hearing the song, the father dug up the place              and pulled out an extremely weak and disfigured daughter. All the three wailed and eventually, the father gave her a mixture of blood and milk from a goat to drink after which she vomited all    the soil she had eaten. He gave her some more of the mixture after which he hid her.

When the wife eventually came back, the man did not let her get into the house but sent            her for a cow in a far off place. He explained his action by telling her that he had decided to host a      feast for relatives (including his in-laws). In the meantime, he sent-for all of them. When the woman came back with the cow, she found everyone waiting for her. Uneasy now, she sat down in the place she was shown by her husband. He then stood up and after welcoming all, reminded                them of the lost daughter. He then called upon the wife to explain the circumstance leading to the sad episode. She hauntingly repeated the now commonly know story. When she sat down, the husband told this woman’s daughter to repeat her earlier wails after which all heard;

 

MaalyaMaalya MaalyaMaalya

Namwenvuniwemwaiiieemalya Ekwinzamuthikoiieemalya           Wakwisakunthikaiieemalya

All were surprised to hear the words of the other girl’s song and at that moment; the ‘dead’         girl joined them. The woman was as though paralyzed by shock. The husband then explained the         truth of the matter and told his in-laws to take their daughter with them. They said that if that was what she had done to the girl, they couldn’t have such a monster in their house. The woman was disowned by all and chased away.

 

 

  • How would you say the following opening formula “Once upon a time”?
  • If you were performing this story what oral skills would you use?

 

  • As a story teller, how would you deliver the two songs to portray the different contexts?

 

  • If you were one of the relatives invited by the girl’s father, how would you portray your reaction towards the revelation of the step-mother’s behaviour?
  • Whatintonationwouldyouuseattheendofthisstatementandwhy?  “Nowstopbotheringme”

 

 

 

 

PART B

 

  • Shem showed Sila’s shining shoes shamelessly on Sheba’s

 

  • Classify the above genre

 

  • Identify the dominant aspect of style in the above genre and illustrate your answer with a brief explanation
  • State any three functions of the genre identified in (i) above

 

 

Noreen:                  Aha, Ok. The question is: What play should we pick for our class play? Does

 

anyone have suggestions? Kabonyi?

 

I suggest we do ‘An Enemy of the People’. How about ‘Shreds of Tenderness?’

No. I dislike ‘Shreds of Tenderness’ I love ‘The River Between’.

No way! That will make a stupid play! Let’s do ‘An Enemy of The People.’ Peter?

I have never watched ‘Shreds of Tenderness’ but… It’s a superb play.

Peris, Please let Peter finish then it will be your turn Sorry.

Peter:                     Anyway, I have seen a play on ‘An enemy of the People’ but I have watched the

movie and I love it Peris?

I just want to say that I think ‘Shreds of Tenderness’ is a really good play. Apepo?

Apepo:                   I saw the movie ‘An enemy of the people’ too and I really like it. I loved that part

 

where Aslasken asks Dr. Stockmann to…

 

Noreen:                  Excuse me, Apepo, but we should talk about that after the discussion is over. Does

 

anyone have any other suggestions? No? Ok, Kabonyi proposed ‘ An enemy of the

People’, Tom likes ‘Shreds of Tenderness’ and Lillian wants to the ‘The

 

River

 

 

go to

 

Between’. Has anyone seen or read all three? No. Ok? I suggest that we all

 

 

the library and read them and then continue the discussion in a couple of

 

days. Is

 

that ok with everyone? Ok. The discussion is over.

 

 

(i) Identify any threewrong things done by the class in terms of effective communication

 

 

 

  • Koech was part of the audience listening to a speech delivered by the Director of Youth Affairs on how to empower the After the speech the Director asked them

questions on

 

the key issues which featured in the speech. Koech could not remember much. What do you

think he failed to do during the speech?

 

  • You have been invited to give a talk to the Pamoja Youth Group on You decide to

 

focus on respecting personal space in social interaction in your talk. Describe two examples

that you would use to illustrate the different situations in which it would be important to respect personal  space.

  • During a presentation, you were interrupted severally by some members of the

 

Give four reasons why the audience would do so?

 

 

 

10.

 

(i) Married……………..

 

(ii) Bomb ……………….

 

  • Difference …………

 

(iv) Satchet……………….

 

(v) Buffet …………………..

 

 

 

 

Ndiegu akatsia kusuma Achima umwana Numwana akatsia kusuma Achima ndiegu

 

Ndiegu vava Ukalilanga gu? Zunu, zunu, zunu….

 

 

Ndiegu went to beg for food She didn’t give it to the child The child went to beg for food It didn’t give it to Ndiegu

 

Ndiegu, please

 

Why then are you crying?

 

Pinch, pinch, pinch……

 

 

 

  • Give the characteristics of this oral performance

 

  • What features of oral performance are lost when this song is written down?

 

  • If you were to perform this song before your fellow students in form II, what accompaniments would make for this audience to remember your performance for a long time?
  • What aspects of this song would make it easy for the audience to join in the singing

of

 

 

 

(c) You are required to give an impromptu speech in a crowded assembly of inattentive students.

State what you would do to ensure that they listen to you

 

(i) Wonder …………….

 

(ii) Honey ………………

 

(iii) Drawback……………

 

(iv) Town ………………..

 

(v) Education……………

 

 

 

(e)(i)   Twoteachers(Mrs.     Stima–   D.O.SandMr.   Obwaya–   thedramateacher)     of   Kiti   High school

are  involved in   a   discussion in   the   staffroom. They   are   assessing the   possibility of allowing

studentscontinuewiththeirentertainmentonFridayevenings.Completetheconversation:

 

Mrs Stima: Mr. Obwaya, do you think entertainment is necessary in this school?

 

 

 

 

school.

Mr. Obwaya:

 

Mrs. Stima: More time? This is unacceptable! Let the students do what brought them to

 

 

This is a school and not a leisure resort.

 

Mr. Obwaya:

 

 

 

Mrs Stima: In fact we are wasting time discussing this issue. Let’s ban entertainment.

We are not

 

destroying anybody.

 

Mr. Obwaya:

 

Mrs. Stima: (calmly) Would you please, explain why you are favouring this issue. Mr. Obwaya:

Mrs. Stima: But when they go into the dance hall they are never grown ups nor are they responsible. They should stick to books.

Mr. Obwaya:..

 

Mrs Stima: I am sorry, Mr. Obwaya, I’ve to cut you short. Are you aware that the majority

in

 

this school are of the opinion that entertainment should be curtailed?

 

Mr. Obwaya: (shocked)

 

Mrs. Stima: That is it. Nothing is going to happen and nobody is going to change this. Mrs. Stima:…………………….

Mr. Obwaya: yes! Why not? They even need to be added more time Mrs. Stima: ………………………..

Mr. Obwaya: I agree with you but you know, we may think we are assisting the children

 

but find

 

 

 

*

 

we are destroying them.

 

Mrs. Stima:

 

Mr. Obwaya: to me entertainment is part and parcel of learning. It is absolutely necessary Mrs. Stima: ……………………………………

Mr. Obwaya: Students need time away from their books. Let them ventilate their steam.

 

Furthermore, they are responsible as they are grown-ups Mrs. Stima: ……………………

Mr. Obwaya: But they need……

 

They show interruption. if no ellipse or dots, award “0” mark.

 

Mrs. Stima:

 

Mr. Obwaya: What! It can’t be! You are invited for trouble√

 

N/B:- The exclamation mark is necessary to show shock.

 

Mrs. Stima:

 

 

 

 

 

(ii) State two forms of polite address used by Mrs. Stima in the above conversation

(1mk)

 

 

 

 

 

 

 

11.

 

Slowly he moves                                                           His blue shirt

 

To and fro, to and fro,                                                   Billow in the breeze

 

Then faster up and down.                                              Like a tattered kite

 

 

 

 

The world whorls by:                                                     Mother!

 

 

 

 

trousers?

east becomes west,                                                        Where did I come from?

 

north turns south                                                          When will I wear long

 

 

The four cardinal points in his head,                               Why was my father jailed?

 

 

 

 

  1. Identify any two sound patterns used in this poem and illustrate

 

  1. Why do you thing the poet uses the sound patterns you have identified in (i) above?

 

  • How would you say line 2 – 4 of this poem and why?

 

  1. Give words that sound similar to the following ones in this

 

Blue – Wear

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

has

 

b  (i) Rearrangethefollowingwordsinpairsofhomophones.

 

whines, mown,     lays, weather, dough, laze , moan, doe, whether, wine

 

 

/t/                                             /d/

 

doubt dt dor

  1. You were the best student in C.S.E. last year. The principle of your former school

 

 

requested you to give a speech to the present candidates. What important aspects would

you consider in order to enhance effective speech delivery?

 

 

 

 

 

:           Hi old man! I hope you know why I’m here, Your girl

 

 

 

 

 

 

 

 

 

 

must be

Lavender

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

loves me and I have come to take her away. Where is she?

 

:           Did I hear you right? Did you say ………………………….

 

:           Yes, Lavender! Just say how many goats you want!

 

:           Who are you? Whose son are you?

 

:           Good heavens! You mean you don’t know f who Iam? You

 

 

the only one in this village who doesn’t know famous people like

  1. I am Makokha or Deno, the guy whose voice you usually hear

on Egesa F.M. radio. You are a very lucky father- in- law!

 

:           What is the world coming to?

 

 

Makokha          :           I hope you are not going completely blind. The world is going

 

 

 

palace.

nowhere! It is Lavender who is coming to my three- stories

 

 

Ask her to come. I am running late.

 

 

:     Young man…….. get out of my sight before I set dog, Tobby,

on you!

 

 

 

 

 

 

 

 

 

  1. (i) Identify and illustrate four things that you find wrong with Makokha’s manner of speech.
  • “Your girl, Lavender, loves me and I have come to take her ” Rewrite this

sentence

 

 

 

 

and

in the manner in which Makokha should have uttered if he had a sense of courtesy.

 

  • At one point Makokha deliberately misunderstands Identify this point

 

 

state what it reveals about Makokha’s attitude.

 

 

 

 

 

 

  1. Readthefollowingpoemandrespondtothequestions

 

I

 

I shall return again. I shall return

 

To laugh and love and watch with wonder eyes At golden noon the forest fires burn,

Wafting their blue – black smoke to sapphire skies I shall return to loiter by the streams

That bathe the brown blades of the bending grasses, And realize once more my thousand dreams.

Of waters rushing down the mountain passes. I shall return to hear the fiddle and fife

Of village dances, dear delicious tunes That stir the hidden depths of native life Stray melodies of dim- remembered tunes. I shall return. I shall return again

To ease my mind of long, long years of pain.

 

 

 

  • i) What things does the poet wish to return to?

 

 

  1. Name the stylistic device to emphasize the poets

 

 

 

 

silently?

  • Describe two sound patterns used in the poem

 

  1. A poem is best read What do you think is lost if you read this poem

 

 

 

 

 

 

 

 

  1. Imagine you are part of the audience that is listening to a You look around and notice

that some people are looking at their watches, a few are yawning and one or two are shifting in

their seats.

 

  1. What would be the likely cause of such behaviour? Mention at least four causes

 

  1. If you were to be the speaker, what would you do to capture and sustain the interest

to

 

the audience? Mention at least four

 

 

  1. i) Foreachofthewordsbelowgiveanotherwordwiththesamepronunciation

 

Wet – Soar – Would – Tied – One – You –

 

  1. ii) Underlinethesilentsoundsinthesewords

 

Gain Helipad

 

Resist Rhy Tomb Deliver

 

  1. What will be the meaning of the sentences below if the underlined words are stressed
    1. The young tout and the driver, hijacked the car

 

  1. The young tout and the driver, hijacked the car

 

 

Mr. Oundo: (picking the phone) Yes! Ken      : Who is speaking please? Mr. Oundo : What do you want?

Ken             : I would like to speak to …

 

Mr. Oundo : Speak up I cant hear what you are saying!

 

 

Fromtheabovetelephoneconversationidentifyandexplainatleastthreecasesoflackof                                     telephoneetiquette

 

 

 

 

 

 

LISTEN

 

RAIN

 

 

Listen to the rain,

 

The whisper of the rain, The slow soft sprinkle, the drip-drop tinkle,

the first wet shisper of the rain.

 

 

Listen to the rain,

 

the singing of the rain, the tiptoe pitter patter,

the splish and splash and splatter, the steady sound,

the singing of the rain.

 

 

Listen to the rain,

 

the roaring pouring rain, the hurly-burly

topsy- turvey

 

Lashing gnashing teeth of the rain, The lightning-flashing

Thunder crashing

 

Sounding pounding roaring rain, leaving all outdoors a muddle, A mishy mushy muddy puddle.

 

Listen to the quietude,

 

The silence and the solitude Of after rain,

The dripping, dripping, dropping, The slowly, slowly stopping

The fresh wet silent

 

after time

 

of rain.

 

 

  1. Identify any two sound patterns employed in the poem

 

  1. Describe the rhyme scheme of the poem

 

  • How would you say the first line of the poem?

 

 

  1. A bear will bear a bear

 

  1. Classify the above genre
  2. State two functions of the genre above

 

 

  • Give another example of the genre

 

 

. c) Underlinetheoddoneout

 

 

 

 

 

i)    Picked

 

ii)    World

wicked worker packed wolf sacked
 

iii) Think

 

this

 

thing

 

thistle

iv) Tube tutor turn tumour

 

worship

 

 

 

 

 

.           d) i) non-verbal skills in communication are very important in the delivery of any oral item.

 

State any four forms of non-verbal cues

 

  1. Give three reasons why listening is an essential aspect of communication

 

  • How would you say the following statements ;

 

 

  1. Why do you always come to church late?

 

  1. Are you the boy who was found bullying the form ones?

 

  • I don’t believe your

 

 

 

  1. e) Imagine you    are    facedwiththe    following    situationsand    give    at    least    two appropriate

 

  1. You accidentally knock down another student on the pavement

 

  1. You are in a hurry to get to school and three people are busy conversing right in the middle of the path
  • Your friend has lost a close relative and you decide to console her

 

 

 

 

 

  1. Readthepoembelowandanswerthequestionsthatfollow:-

 

 

 

The sun rises in the east Sending forth its morning Heat The lily in the valley below Reflects its wondrous glow

 

Red yellow pink and white

 

The roses send out their bright light It is such a wondrous sight

Beauty shining through the night

 

 

 

Explain one way through which rhythm has been achieved

 

  • Write down the rhyme scheme of the

 

 

  • Explain any two ways you would ensure your audience enjoys your performance of this poem
  • Which three words would you emphasize in line three of stanza one?

 

  • Underline the silent letter in the following words:.

 

 

 

 

 

 

 

 

 

 

 

two

Rendezvous Condemn Eulogy .

Phlegm .

 

  • Using each of the following Construct two sentences with each to show the

 

 

meanings implied in the word . .

 

  • Your school principal has invited a prominent professor to offer a talk on a topic of

 

students’

 

interest. Briefly explain any four features that would prove one is not listening

 

  • Giveawordthatsoundssimilartotheonegivenbelow (3mks) ½ a mark each

 

Analyst – Surge – Session- Through – Sterling- Symbol-

(f)                                                               Thefollowingispartofaconversationbetweenastudentandaprincipalofsome schoolin

 

KakamegaDistrict. Thestudentisthechairpersonoftheschool’swriters’clubandis requesting forpermissionfortheclubmemberstoattendawriterssymposiumata

 

neighbouring school. Completetheconversation.

 

 

Student: ………………………………….. . . …………………………………………

 

Principal: Good morning, your club patron Mrs. Wasike had mentioned that you would see me about

 

 

 

you

a symposium but she did not elaborate what is the symposium about and Show will

 

 

benefit from it.

 

………………………………………………………………………………

 

 

Principal: That sounds like a very useful symposium How many club members will attend and how

 

do you intend to finance the trip? .

 

………………………………………………………………………………

 

Principal: That is a good number, and I hope you will raise enough money from the projects. If some

 

remains after the trip you could support the school bursary fund. You have my permission.

:   …………………………………………………………………………………………

 

 

 

 

 

Although     (1)          President and prime minister effectively (2)                a ceasefire

 

(3)             they    (4)          on the telephone      (5)                     Wednesday night and asked

their lieutenants to cease hostility            6relationship may not b e out of the woods (7)

               .

 

The President (8)              Prime Minister differed when Raila          (9)                        the suspension                     of                                                               (10)                        William Ruto of Agriculture and Sam Ongeri of Education a week ago.

(AdaptedfromTheStandardNewspaper)

 

.           (a) The following is a telephone conversation between Jane and her mother. Jane is a student at

 

 

 

business

Mwalimu High School, while her mother, who has been unwell for some time, is a

 

 

lady. Complete the dialogue by filling in the blanks with appropriate responses.

 

 

 

 

MOTHER         : Hello Jane! How are you?

 

JANE   :…………………………………………………….. (2mks)

 

Mother             : Oh! Little girl. Don’t worry about that, I am still on drugs and I believe all will                           be well very soon. I am concerned about your school work. Have you improved?

JANE   :                        …………………………………………………………………………….………

 

Mother             : This is great. I have always prayed for you. Don’t relax after mid-term results.

 

Now make sure that you are working hard to be the best in the district.

 

JANE   :                        …………………………………………………………………………….………

 

MOTHER         : You are right Jane. Caro is joining University of Nairobi and all of us in the

 

village are proud of her. Where are you going on the tour?

 

JANE   :                        …………………………………………………………………………….………

 

MOTHER         : I will send somebody to clear the remaining amount. Next month is only ten

 

days away.

 

JANE                        :…………………………………………………………………………….………

 

MOTHER      : Daddy is doing well but he has gone on transfer to Kianyaga.

 

 

 

 

 

 

She dwelt among untrodden ways Besides the springs of dove;

A maid whom there was none to praise And very few to love

 

A violet by mossy stone Half-hidden from the eye! Fair as a star, when only one Is shining in the sky

She lived unknown, and few could know When Lucy ceased to be:

But she in her grave, and oh, The difference to me!

 

 

 

(2mks)

 

 

(2mks)

  • Describe the rhyme scheme of the above poem

 

 

  • Which word would you stress in stanza 1 line 4, and why?

 

 

  • If you were to recite the poem in a drama festival, what two performance features

 

would you

 

 

(2mks)

 

 

employ in the last stanza? Give reasons

 

 

From the following list, write down five pairs of words whose pronunciations are Abattoir                        well                  coup

Rattle               kettle                hail

 

Nose                 zoo                   cape

 

Hale tour whale
Gape

(5mks)

meteor noise
Cattle knows cups

 

 

 

(5mks)

on

 

 

Conscious Special Ocean Measure Cushion Explosion Motion Seizure Brush Fushion

 

 

 

 

 

abuse

Imagine you have been invited to speak about the role of NACADA in fighting drug

 

 

among the Kenyan youth. What would you need to ensure that your speech is

 

successful?

 

  • Mention

 

non-verbal cues you would use to make your speech effective                (5mks)

 

 

 

 

16.

 

THE EAGLE

 

He clasps the Crag with crooked hands:

 

Close to the sun in lonely hands, Rung with the azure world, he stands,

 

The wrinkled sea beneath crawls:

 

He watches from his mountain walls, And like a thunder belt he falls.

 

 

Identify two sound patterns employed in the poem.                                             (2 mks)

 

What has the poet achieved by use of the above?                                                (2 mks)

 

Which word would you stress in the last line and why?                                        (2 mks)

 

  1. What gestures would you use while reciting line one of the poem? (2 mks)

 

  1. A small woman who cooks better than your mother, Bee

 

  1. Identify the above (1 mk)

 

  1. Give any functions of the genre                                               (3 mks)

 

  1. Write another word with similar pronunciation as (5 mks)

 

Come aren’t need way oral

 

  1. i) Explain
  2. ii) State any

 

entails.

reasons why listening is an important aspect of

 

 

forms of non verbal cues and briefly explain what each of them

 

 

 

(3

 

 

loud

 

 

their

 

 

 

 

 

 

house.

 

 

(1 mk)

 

 

decide

 

 

(1 mk)

 

  1. You are revising for your end term exams at Your neighbours are playing very

 

 

music. You decide to go over to their house to request them to reduce the volume of

 

 

radio.(1 mk)

 

  1. A friend of yours comes to your house to invite you to accompany him or her to watch a

You are unable to accompany him/.her because you have not finished your chores in the

 

 

You decide to turn down the invitation.

 

 

  • Your friend has sent you message that she or he has lost his or her You

 

 

to console him or her.

 

 

 

 

 

 

  1. (a) Read the poem below and answer the questions that follow: My old man’s white old man

And my old mother’s black

 

If ever I cursed my old white old man I take my curses back

 

If ever I cursed my black old mother And wished she were in hell

I am sorry for that evil wish And now I wish her well

 

 

My old man died in a fine big house My ma died in a shack

I wonder where I’m gonna die

 

Being neither white nor black                                        (ByLangstoneHughes)

 

 

  1. (i) Describe the rhyme scheme of the poem (2mks)

 

  • Apart from rhyme, identify another sound pattern used in the poem and state its

effect

 

  • State the words you would stress in the third last line and explain why

 

(2mks)

 

 

 

  • How would you say the last line? (1mk)

 

(5mks)

 

 

 

  • son, sun, can, hut

 

  • came, come, late, name

 

  • so, sew, sow, sod

 

  • hot, robe, cock, cost

 

  • hurt, herd, hard, firm
  • Are you serious?

 

  • You must behave yourself

 

  • I am going shopping

 

  • He can’t do that, really!

 

  1. d) In a conversation, how does one know it is his/her turn to speak?

 

 

 

 

 

 

 

(5mks)

 

(5mks)

 

(e) You are attending a seminar with your friend. Halfway through the presentation by one of the speakers, she (your friend) tells you that she can hardly concentrate.

 

 

effectively

 

 

.

 

 

Explain any seven strategies you would           advice her to employ so as to listen

 

 

and benefit from the talk.                            (7mks)

 

 

 

 

 

I sit outside my house and listen From the construction site comes Pound, push, pull and plunk.

 

I get back into the house and listen Form her kitchen comes

Wash, swirl and gush

 

 

To bed I go at last for peace But

Mutter, wheeze and slurp

 

 

He snores in peace While I awake I remain

The noise too intense to ignore

 

 

Oh! The noise they make In the house, out the house Out the bed, in the bed

Why can’t they keep silence?

 

 

 

 

(1mk)

 

 

(4mks)

 

 

(2mks)

 

 

(1mk)

  • What is the poem talking about?

 

 

  • Identify any two sound patterns used in the poem

 

 

  • Which words would you stress in the last line of stanza three? Why ?

 

 

  • (i) How would you say the line of the poem?

 

 

 

 

(4mks)

  • Identify

pairs of words with the same pronunciation from the list below

 

 

Hale                 Pose                 missed              draught                        mist Way          bawl                 air                        ball                   tile Why           tall                        pause                draft                 hit Drought                        ore                   wail                  till                        heat

  • You are a radio presenter and you are scheduled to interview a prominent politician abut

 

 

 

 

 

(6mks)

 

 

(6mks)

the current proposed constitution.

 

  • What preparations would you carry out before the interview?

 

 

  • What strategies would you employ during the interview session?

 

 

 

  • Explain

 

important details you will use when giving direction to make it

KICD MUSIC SYLLABUS FREE PDF

511- MUSIC

GENERAL OBJECTIVES

By the of the course, the learners should be able to;-

1.     read and write music;
2,     use musical instruments, costumes and decorations;
3.     express own ideas, emotions and experiences through composing music and dance;
4.     appreciate and contribute to development of different types of music;
5.     acquire a sense of co-operation by participating in musical activities;
6.     promote and enhance national unity by identifying through exploration, appreciation and performance of indigenous music from all parts of Kenya;
7.     contribute to the world of music through study and participate in the country’s
music and that of other nations;
8.     use acquired music skills for his/her well being and others in society;
9.     use music to acquire better mental and physical health;
10.     compose music to educate society on issues affecting them;
11.     perform and enjoy song, deince and instrumental music;
12.     develop/improve own creative skills/talents through the composition of music and
dance.

1.0.0     BASIC SKILLS

By the end of the topic, the learner should be able to:
(a)     sight read music;
(b)     sight sing music;
(c)     translate music from staff to solfa notation and vice versa;
(d)     transpose music;
(e)     compose melodies;
(f)     interpret pitch, rhythm, terms and signs;
(g)     compose rhythms;
(h)     harmonize melodies melodies;
(i)     compose melodies for given lyrics.

1.2.0     Content
1.2.1     Time
(i)     Note values and

223463963     12
(ii)     Time signatures:     424488842     8

(iii) Grouping of notes and rests

1.2.2     Melody: All major and minor keys, solfa notation, transposition. Terms and Signs
ornaments, modulation, writing a melody of up to 16 beirs and writing melodies to
given lyrics.
1.2.3     Harmony: S. A. T. B.
1.2.4     Aurals

2     23463963     12
(i)     Rhythms in:     424488842     8

incorporating triplets, duplets and syncopation.
(ii)     Melody in major and minor keys and modulation to related keys.
(iii)     Harmonic intervals: – major, minor and perfect.
(iv)     Cadences:- Perfect, plagal, imperfect and interrupted cadences in major
and minor keys.

2.0.0 HISTORY AND ANALYSIS

2.1.0     Specific Objectives
By the end of the topic, the learner should be able to;
(a)     analyse different types of music;
(b)     appreciate different types of music;
(c)     trace the growth of music from Renaissance to the 20’*’ century period;
(d)     trace the development of African music since 1900.

2.2.0     Content
2.2.1     History
(i)     African Music: Traditional and contemporary vocal music: A study of
membranophones idiophones, aerophones and chordophones
A study of instrumental music of Kenya.
Study the growth of traditional and contemporary vocal music of Kenya
(ii)     Western music: Growth of music from Renaissance to 20*” century.
(iii)     Oriental music.
2.2.2     Analysis:
Analysis of vocal and instrumental music selected from any two of the following:-
African music: Traditional and contemporary
Western music
Oriental music.

3.0.0     PRACTICALS

3.1.0     Specific Objectives
By the end of the topic, the learner should be able to:

(a)     perform a variety of songs and dances;
(b)     develop and maintain a sense of self discipline and co-ordination in a musical      performance;
(c)     acquire and display proficiency in musical performance;
(d)     develop an appreciation of folk music;
(e)     play a musical instrument;
(Q     organize and participate in music making activities
(g)     enhance growth of music through positive contribution in composition      performance and research;
(h)     develop respect for and positive reaction to other peoples’ cultures;
(i)     pursue music as a profession;
0)     develop and display sense of rhythm and pitch.
Content

3.2.1     Performance of any two items each selected from £iny two of the following sections;
•     African (voice, dance and instrument)
•     Western (voice, woodwind, keyboard, string, brass and percussion).
•     Oriental (string, wind and percussion)

4.0.0     GENERAL MUSIC KNOWLEDGE

4.1.0     Specific Objectives
By the end of the topic, the learner should be able to:
(a)     compare songs, dances and instruments in traditional, popular and
contemporary styles;
(b)     collect and preserve traditional songs, dances and musical instruments;
(c)     make use of the existing music industry.
(d)     explain musical forms;
(e)     describe types of musical instruments;
(f)     define musical terms;
(g)     study the factors that bring about changes in musical styles;
(h)     analyse unprepared musical works.

4.2.0     Content
4.2.1     Field work;- collecting folk songs and dances, collecting musical instruments and
composing songs and dances, visits to and/or participation in national days, cultural
festivals, music centres and recording industries.
4.2.2     Score reading
4.2.3     The orchestra of the Classical and Romantic orchestra.
4.2.4     African instruments that are often played together in a musical performance
4.2.5     Forms:- Binary, Ternary, Rondo, Theme and Variation, Minuet and Trio and
polyphonic forms.

5.0.0     PRESCRIBED WORKS FOR 2008 AND 2009
Composers – candidates will be expected to study the following composers and their works.
(a)     Prescribed composers for 2008
(i)     Renaissance     – Byrd William
(ii)     Baroque     – Handel George Frideric
(iii)     Classical     – Haydn, Franz Joseph
(iv)     20’*’ Century     – Vaughan Williams, Ralph
(b)     Prescribed Composer for 2009
(i)     Renaissance     – Claudio Monteverdi
(ii)     Baroque     – Rameau Jean – Philippe
(iii)     Classical     – Gluck, christoph Willibald
(iv)     Romantic     – Johnnes Brahms
(c)     Prescribed African music analysis: Candidates will be reqmred to study
Prescribed African music from the Kenya Music Festival Recording as shown
below:-
2008; Gusii Folksong by Nyangage Primary School
2009; Mserigo by Likoni Primary School.

(d)     Prescribed Western music Analysis:-
Candidates will be required to study prescribed Western Music as shown below:
2009: MozEirt W. A.: Symphony No. 40 in G Minor K550
2008; Henry Purcell: Dido and Aeneas. End of Act 11(1689)

NB:     The recordings for prescribed African and Western music are available at the Kenya Institute of Education.

6.0.0     PRACTICAL EXAMINATIONS

6.1.0     Paper 511/1
The candidate will be required to perform before a
Panel of examiners. The candidate’s performance will take a duration of
10 minutes. The practical performance will     consist of an African     piece/
Oriental piece, a Western set piece, technical exercises and sight reading     as
explained below:-

(a)     AFRICAN TRADITIONAL/ORIENTAL MUSIC: The candidate
will be required to prepare and perform one item of his/her own choice
from any one of the following categories:
•     Folk song

•     Cultural Group Dance
•     String instrument
•     Melodic Wind Instrument
•     Melodic Idiophone
•     Dram-set

(b)     WESTERN MUSIC
The candidate should select one piece from either in voice of
instrument from the choices given below. In each case, two pieces will
be set for the candidate to choose one.

NB:     The     recordings for     prescribed African     and     Western     Music     are
available at the Kenya Institute ofEducation.

Set Pieces For 2008
(a)     Voice: The candidate should select a piece from only one of the voices.

Soprano: (i) Giovarmi Pergolesi: Nina, (Key B Flat Major)
(ii) Giovanni Bottista Bononcini: For the Love My heart doth prize

Alto: (i) G. F. Handel: Sweet Contentment (Key – F Major).
(ii) L. Van Beethoven: I Love thee

Tenor: (i) T. A. Ame: Water Parted (Key – F Major)
(ii) Cyril Winn: Song of the Music Makers

Bass: (i) Arthur Somervell: The Gentle Maiden (Key – F Major)
(ii) T. A. Ame: Why so pale and wan, Fond Lover.

(b)     Instruments: Each candidate presenting instrument should select one piece from
only one instrument area.

(ii) Pietro Localelli: Minuetto

Clarinet:
Saxophone (Aito)E”:
Trumpet/Comet:
Trombone/Euphonuium:
Tuba:
Guitar:
Viola;
Piano:

(i) G. Braga: Angel’s Serenade (Key: F. Major).
(ii) Muchael Rose: Song and Dance

(i) I. V. Weise: Landonderry Air.
(ii) Jacques Offenbach: Barkarole.

(i) Giusseppe Giordani: Dearest, Believe (Caro mio ben)
in B.
(ii) Allan Haughton: Dance.

(i) A. Halbome: The Fruits of Love.
(ii) F. Mendelssohn: Song without words

(i) W. A. Mozart: II Marche. (ii) J. B. Lully: Gavotte.

(i) F. Carulli: Moderato. (ii) Peter J. Harris:
(ii) The Ashgroove.

(i) Andrew: Lullaby.
(ii) W. A. Mozart: Deuscher Tanz (Germcin Dancer).

(i) Beethoven: Allemande in A.

(ii) J. C.F. Bach: Polonaise

NB: The above set pieces are available at the Kenya Institute ofEducation.

Set Pieces For 2009

(a)     Voice:

Soprano:
Alto:
Tenor:
The candidate should choose a piece from only one of the
Areas

(i) Giovanni, Battista Bononcini:
Per La Gloria d’adorarui, For the Love my heart doth
Prize. (Key A major)

(ii) Henry Purcell: I attempt from Love’s sickness to fly
(Key A major)

(i) L. Van Beethoven: I Love thee
(ii) Dr. Baker am Rhein: Sunday on the Rhine.

(i) Cyril Winn: Song of the music makers (Key A major)
(ii) G. F. Handel: Lascia Chio Pianga

Bass: (i) T. A. Ame; Why so pale and wan. Fond Lover
(ii) Semele; Leave me. Loathsome light.

Instruments: The candidate should choose only one set piece from
instrument area:

Descant recorder:
(i) Jean Baptistc locitet: Sarabanda
(ii) George Phillipp Telemann: Siciliana

Treble recorder:
(i) Michael Praetorious; Bransles De La royne II
(ii) Raphael Counterille: Largo (from sonata in C).

Tenor recorder;
(i) Patrick Enfield: Horn Pipe
(ii) Benjamin Britten: Waltz Variation-

Bass recorder: (i) G. P. Telemann: Carilon.
(ii) G. P. Telemann: Polonise.

Flute: (i) Pietro Locatelli: Minuetto
(ii) G. F. Hiindel: Bourree

Clarinet(B?): (i) Michael Rose: Berceuse
(ii) Allan Rose: Song and Dance

Saxophone(Alto) F?:
(i) Jacques Offenbach: Barkaroie
(ii) George Geshwin: I got Rhythm

Trumpet(B”)/Comet:
(i) Allan Haughton: Danse
(ii) Allan Haughton: Little Girl.

Trombone/Euphonium:
(i) F. Mendelssohn: Song without words
(ii) Pamela Wedewood: Tequila sunrise

Horn: (i) Michael Rose: Ballade
(ii) Michael Rose: Scherzo

Violin: (i) Correli OP 5 No.8: Preludio from Sonata in E. mi
(ii) Herbert Kinsey: Pastorale

Tuba: (i) W. A. Mozart: II Marche

(ii) Jean B. Lully:     Gavotte.

Guitar:
Viola:
Cello;
Piano:

(i) F. Cumlli: Moderato
(ii) Peter J. Harris; The Ashgroove

(i) Alfred Moffat: Sarabande
(ii) H.Purcell; Air,

(i) Andrew; Lullaby.
(ii) W.A. Mozart: Deuscher Tanz (German Dance).

(i) J.C.F. Bach: Polonaise

(ii) William Alwyn Light; No.4 of odd moments.

NB:     The above set pieces are available at the Kenya Institute ofEducation.

c)     TECHNICAL EXERCISES

All candidates presenting voice and recorder will be required to prepare and perform the
following technical exercises which may be transposed to keys convenient to the performer
as part of the examination:

Voice and Recorder (descant and treble)
(i)

To be sung to any vowel sound.

(ii)     EITHER

OR

To be sung to any vowel sound.

Piano

The candidate will be required to prepare and perform the following scales and arpeggios.

(i)     Scales: two octaves with both hands an octave apart in similar motion,
ascending and descending in the following keys:

Major Keys     C,G,D,A,F,B?E?A”
Minor Keys     A,E,D,G,F”,C

(ii) Arpeggios will be played in the keys given above but should be played
with hands separately and with both hands together.

(iii) Scales in contrary motion 2 octaves only on C major

(iv) Chromatic scale hands separately starting on C and 2 octaves.

Woodwind, Brass and Strings

The candidates will be required to prepare and perform the following scales and arpeggios as
part of the examination:
C,G,F,D3?E?A,A”
a,e,g,d,b,c,f

The scales should be played to the 9?”• ascending and descending two times. The first time
loud (f) second time soft (p).

Arpeggios     – For all the scales suggested above, these should be played to the
lO”‘ of the scale first time loud (f) second time soft (p).

Sequence     – This should be done in any key chosen by the candidate

Guitar

Scales and Arpeggios

The candidate will be required to prepare and perform the following scales and arpeggios as
part of the examination:

(i)     Scales

(ii) Arpeggios

(d)     SIGHT SINGING/READING

The candidate will be required to sing or play at sight an unprepared piece of music of the
standard of the set sample.

Sample exercises

Voice:

(i)

(ii)

Piano
(i)

(ii)

Con moto

Tempo lie valst

Handel

Scluihcrl

Woodwind Brass and Strings:

Each instrument has its own range ofnotes within which it can play
The sample below illustrates the average difficulty level.

Moderato

6.2.0     PAPER 511/2

This examination will be conducted in an examination room. It     pre-recordcd
cassette to be played on a cassette player. There will be five compatsory tests. Manuscript
paper will be provided for answering the tests. For each test, the examiner will give
instructions on the procedure.

TEST ONE: RHYTHM ON MONOTONE

The candidate will be required to demonstrate skill in recognition of note values, grouping
notes and time. Where the passage is anacrusic, this will be stated. The test will consist of
three parts each of which will be played four times. The three parts are as follows;

(a)     A repetitive rhythmic pattern of up to four bars will be played on a drum. The
cancUdate will be required to write the rhythm on monotone and insert the time
signature and bar lines. The pulse will be stated at the beginning.

(b)     A passage of 4 to 8 bars in simple time will be played on a melodic instrument. The
candidate will be required to write the rhythm on monotone and insert the time
signature and bar lines. The pulse will be stated at the beginning.

(c)     A passage of 4 to 8 bars in compound time will be played on a melodic instrument.
The candidate will be required to write the rhythm on monotone and insert the time
signature and bar lines. The pulse will be stated at the beginning.

TEST TWO; MELODY

The candidate will be required to demonstrate skill in note values, pitch, key and time
signature. The test will consist of two melodies, (a) and (b), each of which will be played four
times. The two melodies each of up to eight bars in simple or compound time will be played.
The clef, key and pulse will be stated at the beginning of each melody. The tonic chord and
the tonic will be sounded. Where a melody has an anacrusic beginning this will also be
stated. The candidate will be required to insert the key and time signature and then write each
melody. The two melodies will be as follows:

(a)     A melody in a major key
(b)     A melody in a minor key.

TEST THREE: INTERVALS
The candidate will be required to demonstrate skill in recognising an interval of two notes
played harmonically. Two intervals will be sounded. The candidate will be required to
describe each interval as major, minor or perfect. Each interval will be played twice.

TEST FOUR: CADENCES
The candidate will be required to demonstrate skill in recognising cadences as imperfect,
interrupted, plagal and perfect contained in a passage played harmonically in a major or minor
key. The passage will be played four times with a pause at each cadential point. The
candidate will be required to name the cadences in the order in which they occur. In each
passage four cadences will be tested.

TEST FIVE: MODULATION:

The candidate will be required to demonstrate skill in recognising and naming modulation to
closely related keys.

The test will be as follows:

Two melodies each of up to 16 bars will be played. Each melody will modulate to a closely
related key before returning to the tonic. Each melody will be played three times. The
candidate will be required to name the key to which each melody modulates before returning
to the tonic. For each melody the key note will be sounded at the beginning.

6.3.0     511/3 MUSIC (WRITTEN PAPER)

This paper shall consist of 7 compulsory questions distributed in 3 sections as shown below:

SECTION A: BASIC SKILLS

Q. 1. Melody
Q. 2. Harmony

SECTION B: HISTORY AND ANALYSIS

Q. 3.     African Music; Four structured questions
Q. 4.     Western Music: Four essay questions based on four composers out of which
candidates will answer two
Q. 5.     Prescribed African Music
Q. 6.     Prescribed Western Music

SECTION C: GENERAL MUSIC KNOWLEDGE

Q. Four structured questions on general music knowledge.
(ii)     SECTION A: BASIC SKILLS

(a) Melody Writing; This will test Either (a) completing a melody of up to 8
to 16 bars the beginning of which is given Or (b) Writing a melody to given
words. In each case the candidate will be required Jo demonstrate knowledge of
and skills in all or any of the following;-

¦     grouping of notes,
¦     note values and rests,
¦     sequence,
¦     modulation to closely related keys and back to the tonic,
(b)     Harmony
Harmony for unaccompanied voices (S.A.T.B) in either major or minor     key.
This will test the candidate’s knowledge, understanding and skills in
harmonic progression, cadences voice leading in S.A.T.B to a given
melody by using: Chords 1 11 IV and VI and their inversions in major     and
minor keys.

SECTION B: HISTORY AND ANALYSIS

(a)     African Music:
This will test the candidate’s knowledge of all or any of the following:-
Performances:- Organisation, role of the performer, preparation of
performance performing, leader, an ensemble of instruments, analysis of
African music.
Instruments;- Distribution, description and playing methods and performance.

The candidate will be required to answer all the 4 structured questions set.

(b)     Western Music:

This year 4 composers will be selected and questions set. Each of the
composers will represent a different historical period. Questions will test the
candidate’s knowledge of or any of the following:
¦     composers and their contributions,
¦     instrumental music,
¦     vocal music
¦     Form.

NB:     Candidates will be required to have studied the following composers:

(i) Renaissance: Tallis, Morley, William Byrd,
C. Moteverdi, Giovanni Palestrina,

(ii) Baroque:

(iii) Classical:

(iv) Romantic:

Rameau, J.S. Bach, A. Scarlatti, G. F. Handle,
Henry Purcell, Antonio Vivaldi.

Joseph Haydn, Gluck, C. P.E. Bach, W. A. Mozart,
Ludwig Van Beethoven.

F. Schubert, Chopin, Franz Liszt, Brahms,

Tchaikovsky, Dvorak, Elgar, Felix Mendelssohn,
Richard Wagner.

(v)     20     Century: Debussy, Sibelius, Vaughan Williams, Schoenberg,
Stravinsky, Prokofief, Copland, Benjamin Britten,
B, Batok.
(iv) PRESCRIBED AFRICAN MUSIC:

This will test the candidate’s knowledge of and skills in all or any of the following:
Instrumentation,
–     form,
rhythmic and melodic structure
phrasing
style

A recording of the prescribed African music will be made available for study
each year.

(v)     PRESCRIBED WESTERN MUSIC

This will test the candidate’s knowledge of and skills in all or any of the     following:-
form, orchestration, rhythmic structure, phrasing, modulation, cadences, transposition,
clefs, ornaments and terms and signs.

NB: –     A recording of the prescribed western music together with the score will be made
available for study each year.     Only one movement will be prescribed.     The school
is required to ensure that each candidate is provided with a clean unmarked score
for use in the examination. Supervisors are requested to ensure that the scores
have no additional marks or notes other than bar numbers and any other marks
made by the publishers.

SECTION C: GENERAL MUSICAL KNOWLEDGE

This will test the general knowledge of and skills in all or any of the following;-

¦     African;- instruments, folk songs, costumes, make up and folk dances.
¦     Western:- instruments, voice and ornaments
¦     Music in society
¦     Music Industry

There will be four structured questions and the candidate will be required to answer all of
them.

KCSE 2019 top, best schools in Uasin Gishu county

Moi Girls Eldoret  High School emerged top in the 2019 Kenya Certificate of  Secondary Education, KCSE, examination in Uasin Gishu County. The school had a mean score of 9.65to take position  12 nationally.

The second and third positions were scooped by Segero Adventist National school and Paul Boit Boys  High school; respectively.

Here is a list of the KCSE 2019 best 10 schools in Uasin Gishu County: 

Pos in County School KCSE 2019 Mean County Pos Nationally
1 Moi Girls Eldoret 9.65  Uasin Gishu 12
2 Segero Adventist National 8.927  Uasin Gishu 27
3 Paul Boit Boys 7.5  Uasin Gishu 122
4 Segero Adventist High 7.47  Uasin Gishu 127
5 St Joseph Cheptiret 7.024  Uasin Gishu 167
6 Loreto Matunda 6.9  Uasin Gishu 183

 

FOR A COMPLETE GUIDE TO ALL SCHOOLS IN KENYA (KCSE, KCPE PERFORMANCE, LOCATION, CONTACTS, FEES, ADMISSIONS & MORE) CLICK ON THE LINK BELOW;

Here are links to the most important news portals:

President Uhuru Kenyatta confirms Kanze Dena to position of State house spokesperson

President Uhuru Kenyatta has, today, confirmed Kanze Dena to the position of State House Spokesperson & Head of PSCU. She has been holding the same position in an acting capacity since July, this year, when her predecessor Manoa Esipisu was appointed as High Commissioner to United Kingdom.

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